We’ve been working to ensure my mega-lists of writing craft skills for story development, line editing, and copy editing are as complete as possible. Today, we’re diving into a deeper explanation of theme development.
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Learn what skills to study with my master list of Story Development skills. What craft skills do we need to understand and be able to apply to develop a story and characters?
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An article comparing the Arrival movie to its short story inspiration triggered me to see Genre differently. In short, our story’s genre is simply the worldbuilding “lens” we use to explore our story’s meaning.
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A story’s meaning and hidden messages often lurk in the subtext. Subtext flows throughout our plots, characters, themes, genres…and story tropes. Depending on how we use and twist story tropes, we might create very different messages for readers.
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Every genre and medium of storytelling uses tropes, and they often have a bad reputation—for good reason. All too frequently, they can indicate lazy storytelling or worldbuilding. But they don’t have to be a bad thing.
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A common problem—even in traditionally published books—is Missing Motivations. A character’s goal can feel irrelevant if readers don’t understand why they have that goal. Or a character might seem stupid or unlikable if readers don’t know why they’re acting a certain way.
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Story is different from plot, but sometimes we can have lots of plot ideas, and we might not be sure if—or how—we can pull those together into something that feels like a story. Let’s get some tips…
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Given world events, many people want an escape right now. Our writing—our stories—can give readers a breather, a chance to recover, an opportunity to regroup and build up strength or defenses. The crazier the world, the more the world needs our stories.
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Many people have tried to identify what goes into creating our voice, but it’s a hard thing to define. We often just know it when we see it. Voice is personal—not just for writers, but also for readers. Yet we can identify—and strengthen—the 5 elements that go into our voice.
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Should we refer to the real world in our fictional story? Let’s take a look at the pros and cons and why we might want to include those references, as well as why we might not.
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