Where Normal Need Not Apply
In a “man vs. self” story, we can’t just show a character arguing with themselves. Instead, Kristen shows us how to use a technique like in the movie Black Swan—where the outward antagonists represent the protagonist’s own issues.
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Sometimes, we’ll say that a character is their own worst enemy, such as the “man versus himself” story premise. However, those stories use proxies to provide a face for the opposition. Today, we’re going to dig deeper into this idea of man versus self to better understand the concept.
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All great stories are about one thing and one thing only—problems. More specifically? Every good story has one core problem in need of being resolved. Today, Kristen Lamb shares her insights into how problems, conflicts, and antagonists drive our story.
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A character’s arc involves change, but what exactly is changing? Today, Jeff Lyons shares how to ensure we’re not saddling our protagonist with generic character flaws to overcome, but rather we’re creating well-rounded characters with personal motivations for their struggles.
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It’s time for another post as a Resident Writing Coach over at Angela Ackerman and Becca Puglisi’s Writers Helping Writers site, and this time we’re exploring 3 steps we can take to raise our story’s stakes, the consequences for the characters if they fail to reach their goals.
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Editor Naomi Hughes is here with the second post in a series to share her writing craft and editing advice. Today, she’s highlighting the most common issues she sees at the scene level of editing—and giving tips on how to fix those issues!
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A story’s stakes are one element that keeps readers turning pages because they want to see if our characters succeed. At first glance, we might think bigger stakes are better for sucking in readers, but not every story lends themselves to huge stakes. Are “quieter” stories doomed to fail the “page-turner” test?
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Today, Janice Hardy shares her revision advice on how to include the right amount of backstory. Too much slows the pace, and too little can leave readers confused. Her tips help us avoid the issue of slow pacing, learn how to hide backstory, and identify when we need more.
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Story beginnings are difficult to get right. We have to introduce the characters, the story, the setting, the protagonist’s longing, and show an immediate obstacle that creates a near-term goal. At the same time, we have to avoid confusing readers, and for that, we need context.
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As authors, we need to be careful when dealing with shocking, horrifying, or potentially problematic story elements. Let’s explore the steps we can go through to figure out the right approach for our genre, story, and characters.
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