How Should We Format Non-Verbal Communication?
If our story includes telepathy or text messages and the like, what are some of our formatting options for non-verbal communication passages?
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Is Our Story’s Point of View Really What We Think It Is?
Third-person POV ranges from the most distant to the deepest perspectives, so how can we tell where our story falls on the POV spectrum to avoid problems?
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Character Internalization: To Italicize or Not to Italicize?
A common question in writing forums asks when we should italicize a character’s thoughts. How should we format our characters’ internalizations?
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Writing Craft: How Point-of-View Affects Dialogue
We often want to share both characters’ reactions during dialogue. How can we do so without causing point-of-view, head-hopping, or attribution issues?
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Building a Story: Chapters vs. Scenes
There’s no wrong way to get to “The End” when drafting our book. That includes how some think about chapters as they write and some think about scenes.
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How Do Pantsers Develop Characters?
Plotters might find any kind of pantsing hard to understand, but even pantsers can struggle with pantsing our characters’ development, as that process comes with a different set of problems from developing our plots.
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The Ultimate #RWA18 Conference Packing List
Going to a writing conference this season? I’m getting ready for the RWA Annual Conference in Denver, so let me know if you’re going. And let’s hold off the panic attacks together with this handy-dandy packing list.
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Thursday Thoughts: How to Find & Fix Plot Holes
A post by Claire Bradshaw over at Writer’s Edit ties in with our recent topic of plot holes, which can sneak into our character development and worldbuilding. Claire shares tips for finding all types of plot holes, as well as a step-by-step process for how to fix any we find.
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Are Sneaky Plot Holes Lurking in Your Story?
It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about plot holes, especially the kind that sneak into our stories.
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Recognizing Quality Writing: Can We Tell If We’re Any Good?
What makes writing “good” takes more than just learning writing craft. That gap between tangible skills and enjoyable stories means it’s always difficult to define what makes for good writing—especially our own.
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