Where Normal Need Not Apply
In the recent scandal known as #CopyPasteCris, Cristiane Serruya plagiarized a lot of books. We’re looking at how it happened and what (if anything) can be done to prevent it from happening again.
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It’s often not easy to be a romance author, and the time around Valentine’s Day can be especially trying. A whole day (or week) focused on love and romance brings out all types of naysayers for the romance genre.
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A recent Twitter thread brought up problematic reader expectations with story endings. Can we find a balance between “fulfilling our story’s promise and our genre’s expectations” and avoiding a cliché ending?
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Given reviews about too-abrupt endings, readers might want a sense of closure beyond what authors deliver. Should we use epilogues—or epilogue-like endings—to breach the gap?
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Many authors dream of working with books beyond just writing them and become editors, agents, librarians, or booksellers. In fact, Angela Quarles, my writing bestie, is opening a bookstore! And she’s looking for suggestions to make her genre- and writer-friendly shop among the best.
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Going to a writing conference this season? I’m getting ready for the RWA Annual Conference in Denver, so let me know if you’re going. And let’s hold off the panic attacks together with this handy-dandy packing list.
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A recent post by Diana Hurwitz explored the nature of antagonists in romance novels. Today, we’re taking a deeper look at our options for antagonists, especially in the romance genre, and how we can avoid creating unhealthy relationships.
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Whether we want to know for real-life purposes or for our writing, Bran’s post today helps us identify elements of healthy romances. Authors need to be careful of sending readers the wrong message. Everyone deserves to be in a healthy, loving relationship—including our characters.
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I’m proud to write romance, so it’s no surprise that the #MeToo movement has prompted a lot of thoughts in me about the role of the romance genre in women’s lives.
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Every genre and medium of storytelling uses tropes, and they often have a bad reputation—for good reason. All too frequently, they can indicate lazy storytelling or worldbuilding. But they don’t have to be a bad thing.
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