Writers pursuing traditional publishing are often told not to pay for editing before submitting to agents or publishers. But the landscape has changed and we’ve had to change our opinion and attitude about many old-school advice “rules.” Should this advice should be next on the chopping block?
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We often write about settings or jobs or situations we haven’t experienced, and diversity among our characters should be no different. Today’s guest post is about how we can research and learn more about experiences for which we don’t have first-hand knowledge and avoid the fear of “getting it wrong.”
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We often choose which story to focus on by writing the idea that pesters us the most. That “squeaky wheel” path might lead us to hop genres without meaning to, and our brand is often tied to our genre. So should we ignore that idea? Learn some of the pros and cons we should keep in mind if we consider following our muse’s lead.
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As writers, most of us are insanely busy. *raises hand* And it can be difficult to find time to dedicate to writing. So I’m picky about the number and quality of blogs on my “must read” list. They have to earn their spot—and keep earning their spot. So why would I turn over control of my blog to others for most of a month?
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Today Marcy Kennedy shares tips to stay safe on Twitter, but many of these tips will apply to staying safe online—period. Not just for Twitter. And read on for my bonus tips of how we can implement her ideas across our online life.
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In the real world, the cause of something happens before the effect. But in writing, we can put words into any order we want, which might leave the reader confused. If they have to reverse events in their head, they’re probably no longer immersed in our story. Not good.
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This week is Banned Books Week, an annual event sponsored by the American Library Association celebrating the freedom to read. Many have already blogged about the political aspects of this event, so I’m tackling this issue from a less serious perspective. Sort of. *smile*
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Many stories “strike out” with readers in the first chapter. So our opening pages are just as critical to sales as our book cover, title, back-cover blurb, etc. Let’s take a closer look at cliches to avoid and tips to make those pages work for us.
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If we want our protagonists to seem heroic, they need to have strong traits. Yet at the same time, if we want our protagonists to be relatable, they need have vulnerabilities. This is never an easy balance, especially when clichés fill our heads about what a “strong character” means.
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This past weekend, author Hugh Howey shared Liliana Hart’s self-publishing method, which she calls “5 down and 1 in the hole.” It’s easy to look at her self-publishing success (over 2 million ebooks sold) and chalk it up to luck. However, I heard advice that complemented her technique throughout the RWA Annual Conference.
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