What Do Readers Want from a Story’s POV?
Our story is—in many respects—what our story’s POV tells readers it is. So what do we want readers to get out of our story and chosen POV?
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Where Normal Need Not Apply
Our story is—in many respects—what our story’s POV tells readers it is. So what do we want readers to get out of our story and chosen POV?
Pin ItThe advice “write to market” often causes a strong reaction. What does it mean? Can we benefit from writing to market without selling out?
Pin ItMuch of writing is subjective, so it can be hard to know how to treat writing advice. Is it a hard-and-fast rule, a guideline, or a personal preference?
Pin ItAs authors and audiences have diversified, it might be time to look at the standards for formatting non-English words and explore some of our options.
Pin ItTo get from our opening pages to the rest of our story, can an Inciting Incident story beat help us? How is that beat different from the First Plot Point?
Pin ItWhen learning something new, we’re often eager to find someone we trust to give us the lowdown. How can we make the most of a mentorship — real or virtual?
Pin ItA month ago, we discussed how the coronavirus might affect us as writers. Since then, we’ve all had to learn how to cope with limits to our “spoons.”
Pin ItSome verb tenses can cause confusion with passive voice. What is passive voice, and how can we tell when the word “was” is not a sign of passive voice?
Pin ItMany writers struggle to use the past perfect tense correctly, so let’s review when the past perfect tense applies to our story and how to use it properly.
Pin ItMost stories are written in literary past tense. What does that term mean, and if different from normal past tense, how is literary past tense different?
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