Where Normal Need Not Apply
It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about the lessons we can learn from stories that successfully break writing “rules.”
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Post-NaNo and editing, how do we want to publish our work? Deborah Makarios shares her insights into what Creative Commons is and how it might apply to authors and our stories.
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As a perfectionist, I know what it’s like to feel like our best isn’t good enough, but maybe that’s where our connections to each other can help. Together, we can feel a sense of accomplishment for when we’ve done our best.
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Do we need to write a million words before we can master the skills of writing? Maureen Crisp, a judge for a major book award with entries from debut and veteran authors, knows what it takes to be a writing master.
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Fiction has to make more sense than real life, and logic and consistency are required. Selina J. Eckert shares her advice on how to make sure our fiction rings true through fact-checking.
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The Scrivener drafting programs helps writers track daily word count and hit targets, but it’s not always intuitive. Scrivener expert Gwen Hernandez is sharing her Scrivener tips for NaNoWriMo, including how to compile our draft—one of the trickiest aspects of Scrivener.
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One the first day of NaNoWriMo, Pacale Kavanagh share insights and advice on how meditation can help our mindfulness to better focus, ignore distractions, and turbocharge our productivity.
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Writers often suffer from self-doubt. We’re not sure if our story idea is interesting enough, if we’re the right person to write our idea. All that self-doubt can lead us to reject ourselves before others do—or before they even can.
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As a writer we can suffer from the impostor syndrome, feeling like a newbie many times over. But we all have expertise in something, and now’s your chance to help others and share what you know.
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After we finish brainstorming and start trying to assemble our ideas into a story, that’s the perfect point in our writing process to avoid major problems by questioning what story issues we might run into before we write too many words.
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