For every author who’s been successful with Facebook Ads, dozens more have seen their investment disappear. Christina Delay’s sharing her advice on learning about our readers and reaching out to them with Facebook.
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I’m proud to write romance, so it’s no surprise that the #MeToo movement has prompted a lot of thoughts in me about the role of the romance genre in women’s lives.
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Science can be influenced by societal assumptions, so we certainly can’t keep “social ideas” out of our fiction. Our preferences, biases, beliefs, assumptions, etc. affect everything—whether we recognize them or not.
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There’s no “always right” approach to our brand’s voice. The traditional advice is to avoid talking about religion or politics, but in a politicized world, should our personal beliefs play a role in our brand or not?
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Just because we’re skilled at nonfiction writing doesn’t mean we’re skilled at storytelling (or vice versa). To do both, we might have to unlearn a lot of what we’ve learned about writing. Today, Elizabeth Randolph shares her insights on changing writing styles.
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Our readers often want an emotional connection to our story and characters, but sometimes we struggle to explore deep emotions in our stories. Luckily, our lifetime of memories is the perfect repository of emotions for us to mine.
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The vast majority of us will write more than one story during our life, so at some point in our career, we’ll have to decide what we’re going to write next. The question then becomes, how do we decide?
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Many of my most popular posts share tools I’ve developed to help writers. By request, here’s a Scrivener template for my Master Beat Sheet, which combines the Save the Cat Beat Sheet and my Story Engineering Beat Sheet.
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This time of year is ripe for wrap-ups of what we accomplished over the previous year. However, it’s easy to reach the end of 2017 and feel like a failure for not accomplishing enough or not reaching a certain goal or milestone.
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When we first start writing, we often learn lots of new “rules,” which can narrow our focus onto writing craft so much that we lose sight of storytelling. How can we regain that storytelling mindset?
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