Kim wants to know if there’s an optimal number of characters to include in a novel. That’s a great question because we want to hit the balance between the claustrophobia of too few characters and the confusion of too many characters.
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It’s almost time for NaNoWriMo, when thousands of writers will try to cram 50,000 words into a 30-day deadline. If you’re doing NaNo and anything like me, you might be freaking out a little as November nears. Although this is my third year with NaNo, this will be my first time doing it “for really-real.”
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On social media, I often encourage people to ask me questions. That’s not a superficial platitude. I am pathologically helpful, so when a reader asked for my advice about blogging, specifically how we would start and when we should get started, I decided to do a mega-link post with all my tips.
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After we complete a first draft, we might want to dig into revising right away because we’re still excited and passionate about the premise. But it’s often better to gain “distance” from our story first. Distance helps us see our story objectively so we can revise ruthlessly, not clinging to our intentions but seeing our story’s potential.
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We’re all familiar with the concept of movie trailers, but book trailers are becoming more common too. Like a movie trailer, a book trailer is meant to increase interest in a story. Where queries and back-cover blurbs pitch a story in writing, book trailers pitch a story by showing. Literally. Some publishers […]
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When we’re first starting out as writers, creating a business plan might be the last thing we want to do. However, a business plan can be anything we want it to be. In truth, there are far more non-business things we could include in a “business” plan than we might assume.
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No one will ever care about our success as much as we do. That’s why—even though we’re writers—we should think of ourselves as business people. No matter what kind of writer we are, we’ll need to make business decisions, and that’s where having a business plan can help.
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Recently, an interesting article discussed research on the brains of writers. One important finding seemed to match research in other areas, namely that experienced people think differently from those just learning the ropes. Being an expert isn’t just about knowing more.
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When we first start seeking or giving beta reads, we might not know what kind of feedback is possible or appropriate. To help us, here’s a listing of ideas of the many aspects beta readers can use for evaluating a story.
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One of the RWA workshops I most looked forward to was Courtney Milan’s “Slow Writer’s Guide to Making a Living” presentation. Judging by the crowd, a lot of writers struggle with the pressure to write faster and the worry that our slowness will prevent us from reaching our goals.
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