Conflicts and Goals: How Do They Work in Romance?
In talking about active vs. passive goals, the concept gets even more complicated if we’re writing multiple-protagonist stories like romance.
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Where Normal Need Not Apply
In talking about active vs. passive goals, the concept gets even more complicated if we’re writing multiple-protagonist stories like romance.
Pin ItI never watched Game of Thrones but this past season is an excellent example of how pacing can affect character arcs and readers’ relationships to our characters.
Pin ItIn our writing career, tangible lessons are often easier to learn, but branding can be intangible. How can we use tangible ideas to define our brand?
Pin ItWhen pitching our story, we might struggle with figuring out which elements to focus on. How do we decide what to emphasize in our pitch?
Pin ItEveryone understands what worldbuilding is for fantasy, science fiction, historical, etc., but what does worldbuilding mean for contemporary stories?
Pin ItWithout spoilers for Avengers: Endgame, let’s explore how the power of the Marvel movies isn’t about the plot or spectacle—but with the characters.
Pin ItWorldbuilding means we have to create the “rules” for our characters and their story world. How can we can develop our story’s world to make it feel real?
Pin ItEver feel like popular writing advice doesn’t apply to your story? Defining our story’s mix of drive vs. focus might help us know when advice is a bad fit.
Pin ItThe romance genre is often called “aspirational,” but even romances with a happy ending can fail at being uplifting. What other elements contribute to an uplifting story and what can they teach us about other genres?
Pin ItIt’s often not easy to be a romance author, and the time around Valentine’s Day can be especially trying. A whole day (or week) focused on love and romance brings out all types of naysayers for the romance genre.
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