What Do Readers Want from a Story’s POV?
Our story is—in many respects—what our story’s POV tells readers it is. So what do we want readers to get out of our story and chosen POV?
Pin It
Is Our Story’s Point of View Really What We Think It Is?
Third-person POV ranges from the most distant to the deepest perspectives, so how can we tell where our story falls on the POV spectrum to avoid problems?
Pin It
What Does It Mean to “Write to Market”?
The advice “write to market” often causes a strong reaction. What does it mean? Can we benefit from writing to market without selling out?
Pin It
Breaking the “Rules”: Will It Be Easy or Hard?
Much of writing is subjective, so it can be hard to know how to treat writing advice. Is it a hard-and-fast rule, a guideline, or a personal preference?
Pin It
How Should We Format Non-English Words?
As authors and audiences have diversified, it might be time to look at the standards for formatting non-English words and explore some of our options.
Pin It
How to Develop a Mentorship
When learning something new, we’re often eager to find someone we trust to give us the lowdown. How can we make the most of a mentorship — real or virtual?
Pin It
How Do We Use Sequels with Our Scenes?
Of the many confusing words in the writing world, the worst might be the terms “scenes and sequels.” What’s the purpose of sequels and how do we write them?
Pin It
Storytelling Verb Tenses: Past, Present, and “Literary” Past Tense
Most stories are written in literary past tense. What does that term mean, and if different from normal past tense, how is literary past tense different?
Pin It
Story Elements: Give Them Purpose
For a strong story pace, we need to ensure every element has purpose. How can we do that? How can we know if a scene or sentence is pointless?
Pin It
Story Pacing: How Can We Ensure Our Pacing Is “Good”?
It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re talking about what makes a story’s pacing “good.”
Pin It