Writing Craft: How Point-of-View Affects Dialogue
We often want to share both characters’ reactions during dialogue. How can we do so without causing point-of-view, head-hopping, or attribution issues?
Pin ItWhere Normal Need Not Apply
We often want to share both characters’ reactions during dialogue. How can we do so without causing point-of-view, head-hopping, or attribution issues?
Pin ItWe probably think we know everything about dialogue formatting already, but let’s make sure we know all there is to know before assuming.
Pin ItFor a strong story pace, we need to ensure every element has purpose. How can we do that? How can we know if a scene or sentence is pointless?
Pin ItIt’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re talking about what makes a story’s pacing “good.”
Pin ItAs we go through the editing process, we might have questions we wish we could ask a professional editor. How can we get our question answered?
Pin ItLet’s talk unreliable narrators: What can they do for our story, how can we create them, and what are the pros and cons of using them?
Pin ItLove scenes are often difficult to write, especially if we don’t know how to write them well. Roni Loren’s sharing 3 pitfalls to avoid.
Pin ItWhat does the moving process have in common with the editing process? Both make us prioritize, purge, and question what matters.
Pin ItA recent controversy in the writing world might make us wonder: What do the calls for better handling of diversity and inclusion mean for our writing and story ideas?
Pin ItIt’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about bridging conflict.
Pin It