Do’s and Don’ts When Creating Villains — Guest: Kassandra Lamb
Depending on the type of villain in our story, the psychology we use to create our character changes. Kassandra Lamb shares her 8 “do’s and don’ts” to help us create our villains.
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Where Normal Need Not Apply
Depending on the type of villain in our story, the psychology we use to create our character changes. Kassandra Lamb shares her 8 “do’s and don’ts” to help us create our villains.
Pin ItThe antagonist in our story might be a love interest or truly evil or anything in between. When our story requires a villain, we might struggle to avoid clichés. Kassandra Lamb shares her insights into psychopaths, sociopaths, and other bad guys.
Pin ItHave you struggled with writing a synopsis, query, or Amazon book description? Romy Sommer shares her 10 step process for finding the core of our story and writing synopses.
Pin ItDo we need to write a million words before we can master the skills of writing? Maureen Crisp, a judge for a major book award with entries from debut and veteran authors, knows what it takes to be a writing master.
Pin ItLonger writing—such as stories—can often be easier to write than something shorter, like a synopsis, query, Twitter pitch, or log line. That’s why the skills important in poetry can strengthen our prose writing.
Pin ItThe Scrivener drafting programs helps writers track daily word count and hit targets, but it’s not always intuitive. Scrivener expert Gwen Hernandez is sharing her Scrivener tips for NaNoWriMo, including how to compile our draft—one of the trickiest aspects of Scrivener.
Pin ItOne the first day of NaNoWriMo, Pacale Kavanagh share insights and advice on how meditation can help our mindfulness to better focus, ignore distractions, and turbocharge our productivity.
Pin ItA recent Twitter thread brought up problematic reader expectations with story endings. Can we find a balance between “fulfilling our story’s promise and our genre’s expectations” and avoiding a cliché ending?
Pin ItWhen faced with the many decisions of writing our story, the best choice is whatever tells the story we want to tell, but what does that mean? Let’s take a look at what storytelling really is and how we can improve our skills.
Pin ItGiven reviews about too-abrupt endings, readers might want a sense of closure beyond what authors deliver. Should we use epilogues—or epilogue-like endings—to breach the gap?
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