Do we need to write a million words before we can master the skills of writing? Maureen Crisp, a judge for a major book award with entries from debut and veteran authors, knows what it takes to be a writing master.
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Fiction has to make more sense than real life, and logic and consistency are required. Selina J. Eckert shares her advice on how to make sure our fiction rings true through fact-checking.
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Longer writing—such as stories—can often be easier to write than something shorter, like a synopsis, query, Twitter pitch, or log line. That’s why the skills important in poetry can strengthen our prose writing.
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The Scrivener drafting programs helps writers track daily word count and hit targets, but it’s not always intuitive. Scrivener expert Gwen Hernandez is sharing her Scrivener tips for NaNoWriMo, including how to compile our draft—one of the trickiest aspects of Scrivener.
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One the first day of NaNoWriMo, Pacale Kavanagh share insights and advice on how meditation can help our mindfulness to better focus, ignore distractions, and turbocharge our productivity.
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Writers often suffer from self-doubt. We’re not sure if our story idea is interesting enough, if we’re the right person to write our idea. All that self-doubt can lead us to reject ourselves before others do—or before they even can.
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A recent Twitter thread brought up problematic reader expectations with story endings. Can we find a balance between “fulfilling our story’s promise and our genre’s expectations” and avoiding a cliché ending?
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When faced with the many decisions of writing our story, the best choice is whatever tells the story we want to tell, but what does that mean? Let’s take a look at what storytelling really is and how we can improve our skills.
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Given reviews about too-abrupt endings, readers might want a sense of closure beyond what authors deliver. Should we use epilogues—or epilogue-like endings—to breach the gap?
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We often talk about the pros and cons of prologues, but epilogues can be good or bad as well. Let’s look at how epilogues differ from normal endings, what they can do, and what they shouldn’t do.
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