Where Normal Need Not Apply
Today, Janice Hardy shares her tip for getting unstuck with our plot. Whether we’re plotters or pantsers, working backward from the end can help us figure out our story’s plot. Sometimes we need to shake up how we do things to get the creative juices flowing again, and working backward can be the key we need.
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One way we can keep our readers from one book to the next is to start a “new release” newsletter. But first, we have to know the best practices for newsletters.
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As authors, we need to be careful when dealing with shocking, horrifying, or potentially problematic story elements. Let’s explore the steps we can go through to figure out the right approach for our genre, story, and characters.
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How would you complete this sentence? “I’ll know that I’m good enough when…” Dr. Valerie Young, an expert on “impostor syndrome,” shares her insights.
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This year at RWA, I was eligible to attend special published-authors-only workshops geared toward those with more experience, and I want to share some of the highlights from those workshops, as I think we can all benefit from many of the insights.
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If we have multiple story ideas, how do we decide which one we should write next? We want to pick one that we feel strongly enough about that when the going gets hard—and it will—we won’t be tempted by a different shiny idea. So how can we avoid second guessing ourselves?
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In the quest to come up with unique stories, we’ve probably all explored different situations, characters, and premises. Another way to add more layers of uniqueness to our stories is by exploring different cultures.
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One way we can keep our readers from one book to the next is to encourage them to connect with us or our stories. Bonus content on our website is one way to create engaged readers.
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If you’re anything like me, and your English or grammar instruction was less than ideal, you might not be familiar with the term rhetorical devices. But once I did learn about them, I quickly became aware of how using rhetorical devices can strengthen our writing—even if we’re writing genre stories.
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While we need to learn grammar rules for our writing, if we follow the rules too strictly, we can strangle our voice. Today, Julie Glover shares her tips on four steps to break grammar rules in a good way.
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