Where Normal Need Not Apply
We often have more ideas for stories than we actually write, and somehow, we choose and prioritize. Why might we not write a story idea that we’re passionate about—and is there anything we can do to overcome those reasons?
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about the lessons we can learn from TV writing that might help us with scene and chapter hooks.
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Just as our characters can have inner and outer layers, the same applies to their goals. Those two types of goals can give them internal and external arcs. But what do we mean by conflicting goals—and how do false beliefs play a role?
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In the writing world, we’ve probably heard the advice to create layers in our stories and characters. But the word layers can refer to many different aspects of writing, so let’s take a deeper look at one aspect of layering: character layers.
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We reveal our story through countless decisions in every scene, and we sometimes know which options seem right for our story. But other times, we might not be sure. In those cases, how do we decide which way to play out a scene?
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In artistic fields such as writing, we might think success depends on talent, and any struggle can be seen as a sign of our lack of talent. Today Lizzie Shane shares her insights on the importance of talent for success.
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The implication of the advice to “show, don’t tell” is that showing is “better” than telling when our story actually needs both. Let’s explore what “show, don’t tell” really means when it comes to storytelling.
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The word showing obviously makes us think visually, but same as us, our characters experience the world through more than just their visual sense. What are our options for showing beyond visual descriptions? Can we create a deeper world by engaging other senses?
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In the writing world, we often hear the advice to “show, don’t tell.” I’ve mentioned before that telling isn’t bad or something to be avoided at all costs, and a fantastic post by Cecilia Tan points out how the advice can actually be harmful.
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We need to promote our books, as they don’t sell themselves, but most writers avoid thinking about marketing stuff. Yet with the right goals, marketing and promotion can be fun, and Christina Delay is here to show us how.
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