This year at RWA, I was eligible to attend special published-authors-only workshops geared toward those with more experience, and I want to share some of the highlights from those workshops, as I think we can all benefit from many of the insights.
I’m looking forward to seeing my friends again, and I’ll be doing my first book signing, but the stress? Ugh. It’s a good thing I have my handy-dandy ultimate packing list from the last time I went to RWA National.
I’ve spoken many times about our learning curve as writers. Not only can it seem endless, but we can also be skilled at one aspect and unskilled in another. So at what point can we stop thinking of ourselves as beginning writers? When will we be “qualified” for the advanced stuff?
Unfortunately, some writers believe that paying for a workshop, class, or conference is necessary to succeed, and some sales pitches play to our fears by implying they can teach us the “secret” to success. But while these resources can help us as writers, they’re not required to succeed.
Whether we publish indie or traditionally, we may want to start a company at some point in our writing career, either for our pen name or for a publishing imprint or author services business. Today, I’m excited to have Kathryn Goldman here to share with us the legal aspects of starting our own company.
One of my commenters asked a great question last week that gets to the heart of the balancing game we have to play when writing romance. The characters have to be perfect enough for each other to make a believable couple, but there also has to be enough conflict between them to sustain a story.
Every Thanksgiving, I write a “the best reason to blog” post because gratitude is such a powerful tool. Thinking about what we’re thankful for forces us to pay attention to our priorities. The daily grind can make us forget why we do what we do, but being grateful for the good things reminds us of what matters most.
If we want our protagonists to seem heroic, they need to have strong traits. Yet at the same time, if we want our protagonists to be relatable, they need have vulnerabilities. This is never an easy balance, especially when clichés fill our heads about what a “strong character” means.