If you’re still unsure if you can make NaNo work for you, Jenny Hansen is here to share her advice about what matters during NaNoWriMo and what we should ignore. Check out her 10 tips for rocking NaNo your way.
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As writers, we push ourselves to learn new skills and strengthen our craft—despite discouragement, lack of support, and only a small chance of success. We persevere.
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In my last post, we talked about struggling to write when suffering from burnout. Maintaining a connection with our passions can help us endure the problems of life, and remembering how and why we have passion for writing might help us recover from burnout.
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Most of us have probably heard the advice about how we should make our writing more authentic or genuine. But what does that mean, and how can we make it happen? Today, Lizzie Shane joins us to share her insights into mining our experiences for our stories.
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If we know other writers at all, chances are good that we’ve heard a lot of advice. One of the most common pieces of advice? According to dozens of multi-published, bestselling authors, it’s “write every day.” Do they know better than us what it takes to be a writer? Is that a must-listen rule?
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Just because we don’t have a brag-worthy NaNo doesn’t mean that we failed. Or if we do come up with 50K words, that doesn’t mean we’re happy with our work. Either way, A.E. (Anita) Siraki is here to share her insights on what comes next.
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The vast majority of people feel overly busy, which can make us lose sight of our big-picture goals and purpose in life. But Christina Delay is here to help us identify what we really want and visualize how we might need to re-prioritize our time to match our goals.
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Most (probably all) writers want to increase their productivity because we want to make the most of the writing time we have. However, we’re all different, so we might need to figure out the right style of productivity advice for us.
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How would you complete this sentence? “I’ll know that I’m good enough when…” Dr. Valerie Young, an expert on “impostor syndrome,” shares her insights.
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If we have multiple story ideas, how do we decide which one we should write next? We want to pick one that we feel strongly enough about that when the going gets hard—and it will—we won’t be tempted by a different shiny idea. So how can we avoid second guessing ourselves?
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