A post by Claire Bradshaw over at Writer’s Edit ties in with our recent topic of plot holes, which can sneak into our character development and worldbuilding. Claire shares tips for finding all types of plot holes, as well as a step-by-step process for how to fix any we find.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about plot holes, especially the kind that sneak into our stories.
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Because our themes live in the subtext, it’s easy to create unintended themes that undermine our intended theme. That risk increases if we’re trying to create success themes but our story has a bittersweet ending.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about how to find and fix the mixed messages undermining our story’s themes.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about how to find and fix episodic writing so we can take our story to “epic” level.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about how to take the major beats of a beat sheet and apply them to our story’s genre.
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It’s time for another post as a Resident Writing Coach over at Angela Ackerman and Becca Puglisi’s Writers Helping Writers site, and this time we’re exploring 7 techniques we can use to keep our story moving while time passes for our characters.
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It’s time for another post as a Resident Writing Coach over at Angela Ackerman and Becca Puglisi’s Writers Helping Writers site, and this time we’re exploring 3 steps we can take to raise our story’s stakes, the consequences for the characters if they fail to reach their goals.
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A question over at my guest post at Writers Helping Writers asked what a writing coach was, but there’s no definitive answer. On some level, a coach is anyone who gives advice, so before asking ourselves if we need or want a writing coach, we’d first have to dig into what we mean by the term.
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Many big-picture elements are related: A problem in one area of our story often weakens other areas. Luckily, if we understand those relationships, we’ll better see how fixing one aspect will strengthen the others, making our revisions easier and more efficient.
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