We often write about settings or jobs or situations we haven’t experienced, and diversity among our characters should be no different. Today’s guest post is about how we can research and learn more about experiences for which we don’t have first-hand knowledge and avoid the fear of “getting it wrong.”
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Today’s Question: “How does one figure out which POVs to use and when? … How can I balance it out so that each character has their share of the novel without revealing too much or ruining the suspense?”
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We’ve probably all been frustrated with slow progress at some point in our writing career. Maybe we’re frustrated with the slow increase of our word count. Maybe we’re frustrated with an apparent lack of improvement in our writing. Or maybe we’re frustrated with our sales numbers. The point is that […]
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There’s never going to be a ‘one size fits all’ guideline for any aspect of writing. Every story is different, so some advice doesn’t apply to us. What’s right for one genre might not be right for another genre. Ditto for the point of view of the story. Or the characters. Or the plot.
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This week is Banned Books Week, an annual event sponsored by the American Library Association celebrating the freedom to read. Many have already blogged about the political aspects of this event, so I’m tackling this issue from a less serious perspective. Sort of. *smile*
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If we’ve ever let beta readers or critique groups give feedback on our stories, we’ve probably run into the issue of receiving conflicting advice. In fact, if we’ve ever let more than one person read our work, we’ve probably received conflicting advice. *smile* One reader may love a character someone else hates. […]
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Many times, motivation can be hard to find. Sometimes we need to sleep, relax, or play. Sometimes we’re stuck because the story is going in the wrong direction. And sometimes… What we really need is a kick in the pants.
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It’s no secret that many authors are considering self-publishing on some level. So I’m happy to host my friend Julie Musil, who’s sharing some of the pitfalls of self-publishing and providing tips for avoiding those issues. Honestly though, I think her advice is applicable to every author, no matter our publishing path.
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If we want our protagonists to seem heroic, they need to have strong traits. Yet at the same time, if we want our protagonists to be relatable, they need have vulnerabilities. This is never an easy balance, especially when clichés fill our heads about what a “strong character” means.
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My regular readers know I’m a perfectionist, but I try not to let it hold me back. However, facing various choices and issues in my writing career have forced me to recognize that sometimes I do suffer from a related fear. And that fear does hold me back.
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