Where Normal Need Not Apply
Just as we have go-to favorite authors that we know we can depend on for delivering a certain type of story, readers are evaluating us for what we can deliver: What’s our promise to readers when they pick up one of our stories?
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After we finish brainstorming and start trying to assemble our ideas into a story, that’s the perfect point in our writing process to avoid major problems by questioning what story issues we might run into before we write too many words.
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Many authors dream of working with books beyond just writing them and become editors, agents, librarians, or booksellers. In fact, Angela Quarles, my writing bestie, is opening a bookstore! And she’s looking for suggestions to make her genre- and writer-friendly shop among the best.
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If you attended RWA18, these thoughts might be interesting. If you didn’t attend the conference, these highlights might help you feel a part of the experience.
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A recent post by Diana Hurwitz explored the nature of antagonists in romance novels. Today, we’re taking a deeper look at our options for antagonists, especially in the romance genre, and how we can avoid creating unhealthy relationships.
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Whether we want to know for real-life purposes or for our writing, Bran’s post today helps us identify elements of healthy romances. Authors need to be careful of sending readers the wrong message. Everyone deserves to be in a healthy, loving relationship—including our characters.
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With the rise of self-publishing, we’ve probably seen books that label the content inside, but if we’re not sure whether we should consider using trigger warnings, Bran L. Ayres is here to share their insights and tips on why they’re important and how to use them.
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With a name like #cockygate, it’s no surprise that the recent trademark brouhaha would elicit some snickers, and some are far too quick to dismiss the situation. But the reasons behind the trademark—as well as what results from the legal battle—affect us all.
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A Black Moment is an event in our story that steals the protagonist’s hope for a solution. However, some stories don’t make sense with a typical catastrophe for a Black Moment. How can we give them a Black Moment that will work?
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I’m proud to write romance, so it’s no surprise that the #MeToo movement has prompted a lot of thoughts in me about the role of the romance genre in women’s lives.
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