Where Normal Need Not Apply
We’ve probably all heard the phrase: Fake it until you make it. Faking it isn’t always easy, but the effort of faking it can push us forward. Over time, we’ll often discover we’re not faking it anymore. What would be even better, though, was if faking it wasn’t as hard, right?
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The stories we write are affected by our worldview, but that’s not the only thing that might make us avoid writing about certain elements. By looking at the other reasons we might have, we can decide whether our avoidance makes sense or points out an opportunity to improve.
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Many forms of writing include visual elements, but there’s a difference between images that simply provide a visual element, and images that add to the writing. Let’s take a look at how we can make the visuals we include with our work add to the meaning of our words.
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My series about Indie Publishing Paths at Fiction University has highlighted some of the choices we have to make as self-published authors, including how to keep readers. Can our goals help us decide?
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Every writer struggles to get their thoughts on the page and make their ideas make sense to others. The typical advice for how to resolve that issue is to use beta readers, but what if we can’t find beta readers? What can we do?
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Several debates have come and gone on the publishing landscape. Plotters vs. pantsers, self-published vs. traditionally published, etc. I’ve always said that people should find whatever works for them, but what if we don’t know what that might be?
Pin ItMy series about Indie Publishing Paths at Fiction University has highlighted some of the choices we have to make as self-published authors, and it’s easy to feel overwhelmed when faced with so much uncertainty. So where do we start?
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Our best intentions don’t always work out. Even if our goals seem realistic and possible, what we think is reasonable or what we think we think we have control over…isn’t necessarily the case.
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When trying to find the best editor for us, we might struggle more with developmental editors because the usual technique of asking for sample edits doesn’t work. So how should we find a developmental editor who’s a good match for us?
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A question over at my guest post at Writers Helping Writers asked what a writing coach was, but there’s no definitive answer. On some level, a coach is anyone who gives advice, so before asking ourselves if we need or want a writing coach, we’d first have to dig into what we mean by the term.
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