Where Normal Need Not Apply
When changes happen gradually, we’re not always aware of them. My every-other year schedule for attending the RWA Annual Conference allows me to see the changes in the organization like a distant relative. I hadn’t attended the National Conference since 2012 and the differences from then to now were profound.
Pin It
My regular readers know I’m a perfectionist, but I try not to let it hold me back. However, facing various choices and issues in my writing career have forced me to recognize that sometimes I do suffer from a related fear. And that fear does hold me back.
Pin It
USA Today bestselling author Mary Buckham is back with Part Two of her guest post on writing active settings that keep our story flowing and connect readers to our characters. Today, she’s sharing the second biggest hurdle to writing great descriptions.
Pin It
The trick to sharing setting information (which our readers do need) without dragging down the pace is to write active descriptions. Active descriptions let the reader imagine the setting in their mind, keep them anchored in the story, and slip in information so seamlessly that they never realize they’re reading descriptions.
Pin It
As I mentioned with the worksheet I shared last week, it’s often easier to work backward when we’re framing our story. At the very least, knowing the ending often makes it easier to see our character’s arc.
Pin It
The story elements I loved as a child still hold true for me today. The stories and genres I read now have grown up and matured, but the aspects that resonate with me haven’t changed.
Pin It
I can’t make everyone a winner in my Blogiversary contest, but I can give everyone a gift by releasing a new worksheet. Yay! A couple of my readers asked me to take a look a John Truby’s work and see if I could come up with a worksheet based on his teachings.
Pin It
I’m looking forward to seeing my roomies again, and I do enjoy giving workshops and meeting people, but the stress? Ugh. It’s a good thing I have my handy-dandy ultimate packing list from the last time I went to RWA National.
Pin It
Whether we pursue traditional publishing or self-publishing, rejection is a given for writers. Our choice simply comes down to how we’ll handle it. Will we let rejection hold us back, or can we see it as a sign that we’re doing something right?
Pin It
A “numb” reaction isn’t unusual for dark or deep emotions. In fact, it’s probably fairly normal. But it makes writing the scene more difficult. How do we show numb and deep emotions at the same time? How can readers connect to an emotionless character?
Pin It
