Many times in our writing career—just as with life in general—we have to hurry up…and then wait. I’m in hurry-up-and-wait mode today. After running around to get everything ready, Treasured Claim is releasing tomorrow, and the next book, Pure Sacrifice, is already available for pre-order. But I hate waiting…
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I talked last time about the strengths of an alpha heroine. Does that mean betas are the opposite and therefore weak? Nope, I would never say that betas are weak, so what traits do beta characters have? What would a character without strengths look like?
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I struggle constantly with keeping my heroines likable. Especially because I want my heroines to be on equal footing—power-wise—with the hero. In other words, I want alpha heroines to go with my alpha heroes. So let’s take a look at how heroines might be alpha characters.
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Those of you who have been following my publishing process might be wondering why the one book I have out so far is free. After all, it costs money—potentially lots of money—to publish a book. Let’s take a look at a publishing plan for when it might make sense to give our books away for free.
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When we first start writing our story, we’re filled with passion for the idea. But at some point, we might dread working on our story. Is that a warning sign? Or should we plow forward anyway?
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Whatever happens in the Climax is often the reason we decided to write the story back when it was just a twinkle in our muse’s eye. But just before the beat of the Climax, our character experienced the Black Moment/Crisis, where they gave up. How do we get them to recommit to the story goals?
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Everything we write should be intentional—the words we use, the events we emphasize, the emotions we evoke, the themes we build, etc. But when our writing doesn’t match our intentions, we might need trusted feedback that forces us to justify our choices.
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Last week, we talked about the different kinds of editing and editors, and we also talked about how to evaluate editors. Now let’s dig deeper into some of the variations we might encounter when evaluating editors. By understanding these variations, we might better be able to find our perfect match.
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When we’re ready for professional editing, we want to make sure our editor is good, especially if we’re opening our wallet. Here are some tips, questions, and processes that will help us evaluate editors for our needs.
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What type of editors are most important for our success? Let’s take a closer look at the types of editing and when we might (or might not) need that type of editing.
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