It’s not always easy to know how much showing or telling works best for our story, so let’s dig a little deeper into some of the problems with trying to find the right balance of showing and telling in our stories.
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One of the most common pieces of writing advice is to Show, Don’t Tell. In many cases, that’s good advice, but as with most advice, that “rule” is imperfect and incomplete.
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Our definition of success will affect our happiness. So let’s walk through how we might define our success—as well as what it means if we haven’t yet “succeeded.”
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An article comparing the Arrival movie to its short story inspiration triggered me to see Genre differently. In short, our story’s genre is simply the worldbuilding “lens” we use to explore our story’s meaning.
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To make NaNo work for us, we need to figure out our goals for the experience—and there’s no wrong answer. However, if our goal is to create a coherent story, we should try to understand story structure.
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As a writer we can suffer from the impostor syndrome, feeling like a newbie many times over. But we all have expertise in something, and now’s your chance to help others and share what you know.
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There’s no right or wrong answer for how to depict intimacy in our writing—only what’s right for our story. The “right” amount can depend on our genre, our characters, their situation, their emotional journey, and our target audience.
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Whatever genre we write, we often have to write scenes that make us uncomfortable. For many, sexy scenes are high on that discomfort scale.
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Are we ready to hire an editor? To check, I’m sharing Part Two of Jeff Lyons guest post with the questions we should ask ourselves before hiring story help.
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It’s tricky to tie up all the threads in our story’s Climax and even harder to give guidelines for how to write it, but let’s try to identify some story aspects we might want to include.
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