Many forms of writing include visual elements, but there’s a difference between images that simply provide a visual element, and images that add to the writing. Let’s take a look at how we can make the visuals we include with our work add to the meaning of our words.
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No matter how much we try different approaches, we often struggle with our story’s first pages. That’s why I’m always on the lookout for new ways of thinking about that critical opening page. Today Shaila Patel shares her insights on the right mix of elements for creating a great first impression.
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If we’ve thought of writing a trilogy, we might have struggled with questions about how we should structure our stories over three books. Or how we should break up the plot and character arcs. Today, let’s try to answer those questions!
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Many newbie writers try to perfectly replicate their ideas in their readers’ brains, even though overwriting slows down our pacing, repeats ideas, and prevents subtext. Luckily, Christina Delay is here with five steps to break the overwriting habit.
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Editor Naomi Hughes is here with the third post in a series to share her writing craft and editing advice. Today, she’s highlighting the most common issues she sees at the line-edit level—and giving tips on how to avoid them!
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My series about Indie Publishing Paths at Fiction University has highlighted some of the choices we have to make as self-published authors, including how to keep readers. Can our goals help us decide?
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Editor Naomi Hughes is here with the second post in a series to share her writing craft and editing advice. Today, she’s highlighting the most common issues she sees at the scene level of editing—and giving tips on how to fix those issues!
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A common problem—even in traditionally published books—is Missing Motivations. A character’s goal can feel irrelevant if readers don’t understand why they have that goal. Or a character might seem stupid or unlikable if readers don’t know why they’re acting a certain way.
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Editor Naomi Hughes is here with the first post in a series to share her writing craft and editing advice. Today, she’s highlighting the most common issues she sees at the story level of developmental editing—and giving tips on how to fix those issues!
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No matter how we publish, we need to introduce our story to potential readers and interest them enough to want to look closer. Whether we’re pitching and querying agents or enticing readers with back-cover blurbs, we need to grab their attention.
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