Where Normal Need Not Apply
Ever wonder how many writing “rules” have a reason beyond “because I said so”? Story structure exists not just because it makes our story stronger, but also because the story beats help communicate with readers–and understanding how can help us write and revise our story.
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We’ve probably all heard (or thought!) that description is boring or the part readers skip. Yet our stories need description or else be confusing. Marcy Kennedy joins us today to share 5 tips to empower and add interest to our description by using contrast.
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To create a great emotional story, we need to know not only the vocabulary of describing emotions, but also how we can evoke emotions in our readers. Marcy Kennedy’s here to show us how deep point of view can help us evoke those emotions we want within our readers.
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When it comes to learning about point of view and how to avoid issues like head-hopping, it doesn’t help that half the information out there is confusing and contradictory. Let’s take a closer look at how we can find and fix these issues.
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There’s never going to be a ‘one size fits all’ guideline for any aspect of writing. Every story is different, so some advice doesn’t apply to us. What’s right for one genre might not be right for another genre. Ditto for the point of view of the story. Or the characters. Or the plot.
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In deep POV, especially, we want to avoid “head-hopping” and maintain our story’s immersion. But that means we need to know the right way to change the point-of-view of our story.
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My recent post about avoiding “information dumps” prompted a conversation in the comments about omniscient point-of-view (POV) and its use of “telling” rather than “showing.” Serena Yung wanted to know why omniscient POV—and thus, telling rather than showing—are less common now than in the classics. She’s certainly right about omniscient being […]
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Thanks once again to all who responded to my last blog post about whether books should have a rating system. And I say that not just because I didn’t need my flame-proof jacket. *smile* Many shared thoughtful ideas here on my blog, Google+, and Twitter that helped me refine my opinion. If […]
We’ve learned that head-hopping should be avoided if we want to maintain a strong connection between the reader and the characters, and we’ve learned that just calling something omniscient doesn’t solve the head-hopping problem. This brings up the obvious question: How do we avoid head-hopping? The answer might be different […]
Last time, we talked about how head-hopping is something to avoid, and not just because there’s a rule against it. Any change in point-of-view (POV), whether using an “allowed” technique or not, risks weakening the connection between the reader and the story. Head-hopping authors sometimes say they’re writing in omniscient […]
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