Where Normal Need Not Apply
Tip-heavy posts about writing skills and concepts that improve our stories. Sample topics: how to create a strong character, storytelling skills, information dumps, using point of view, subtext, using themes, building scenes, etc.
What makes some poorly written books fall flat on their face while others succeed despite their flaws? One common answer is “storytelling ability.” But what is storytelling? The concept can seem vague and immeasurable—rather like “voice.” A recent experience with two poorly written books gave me insight into how a […]
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I don’t watch soap operas, but a bizarre conversation tangent (in other words, a perfectly normal conversation for me) triggered my thoughts comparing soap operas to novels. On the surface, they seem very similar. They both have characters, tension, and conflict. However, the more I thought about it, the more […]
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Last time, we talked about using our story’s and characters’ themes to keep us on track as we draft. But no matter how well we know our themes during drafting, we can probably make them stronger in revision. Maybe we thought a character’s arc would focus on one theme, but […]
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My recent post about avoiding “information dumps” prompted a conversation in the comments about omniscient point-of-view (POV) and its use of “telling” rather than “showing.” Serena Yung wanted to know why omniscient POV—and thus, telling rather than showing—are less common now than in the classics. She’s certainly right about omniscient being […]
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While I’m on holiday vacation this week, I’ll share a post from my early days of blogging. We’ve all heard of those eye-rolling, telling “information dumps,” yet at some point, we all have to get chunks of information across to the reader. My usual technique with world-building is to show, […]
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A story’s narrative is made up of a chain of actions (motivation/cause) and reactions (response/effect). The cause-and-effect chain, whether at the scale of story acts or sentences, creates our narrative drive: Is the story leading somewhere?
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Whoo boy, do I have a treat for you today. The lovely Melinda Collins recently returned from an Immersion Master Class with Margie Lawson, and she’s here today to share her experience. I’m playing this cool now, but it was a different story earlier. When I heard Melinda was going […]
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I’ve mentioned before that I love subtext. I’ve analyzed the Spiderman reboot for subtext. I’ve written about how to revise for subtext, how to use subtext in emotional scenes, and how character development happens in subtext. Yeah, I’m a tad obsessed with subtext. So when the fantastic Angela Ackerman of […]
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Last time I shared tips from Michael Hauge’s presentation at the Romance Writers of America (RWA) Conference about how to make romance (or love interest) relationships feel deep and not superficial. Most of us have probably read books where, at the end of the story, we didn’t trust the couple to […]
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By far, the best workshop I attended at the Romance Writers of America (RWA) Annual Conference was Michael Hauge‘s presentation, “Using Inner Conflict to Create Powerful Love Stories.” Unlike every other workshop, Michael gave his presentation twice. I attended on the second day and the room was standing-room-only packed. The first day was likely […]
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