Where Normal Need Not Apply
The trick to sharing setting information (which our readers do need) without dragging down the pace is to write active descriptions. Active descriptions let the reader imagine the setting in their mind, keep them anchored in the story, and slip in information so seamlessly that they never realize they’re reading descriptions.
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As I mentioned with the worksheet I shared last week, it’s often easier to work backward when we’re framing our story. At the very least, knowing the ending often makes it easier to see our character’s arc.
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The story elements I loved as a child still hold true for me today. The stories and genres I read now have grown up and matured, but the aspects that resonate with me haven’t changed.
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I can’t make everyone a winner in my Blogiversary contest, but I can give everyone a gift by releasing a new worksheet. Yay! A couple of my readers asked me to take a look a John Truby’s work and see if I could come up with a worksheet based on his teachings.
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I’m looking forward to seeing my roomies again, and I do enjoy giving workshops and meeting people, but the stress? Ugh. It’s a good thing I have my handy-dandy ultimate packing list from the last time I went to RWA National.
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Whether we pursue traditional publishing or self-publishing, rejection is a given for writers. Our choice simply comes down to how we’ll handle it. Will we let rejection hold us back, or can we see it as a sign that we’re doing something right?
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A “numb” reaction isn’t unusual for dark or deep emotions. In fact, it’s probably fairly normal. But it makes writing the scene more difficult. How do we show numb and deep emotions at the same time? How can readers connect to an emotionless character?
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It’s that time of year again. My four-year blogiversary is coming up on July 12th. And I’m once again amazed by the fact that I’ve been writing this blog for four years. How can something feel like yesterday and forever at the same time? Mostly, I’m amazed I found that […]
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At their essence, most sports have a lot in common with storytelling. There are “good guys” (the home team) and “bad guys” (the visiting team), and they battle for who comes out on top. The audience becomes emotionally involved and roots for those they identify with to succeed, and we […]
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I’ve often thought about adding word count widgets to my site but quickly resist the notion. My internal debate sparked a question about how writers approach their works in progress. Do you know which side you fall on?
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