The journey to writing is filled with many obstacles, yet something keeps us going. Maybe if we understand what’s been most helpful for us becoming and/or remaining a writer—not including writing skill—we’ll be better prepared to face our obstacles now and into the future.
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To create a great emotional story, we need to know not only the vocabulary of describing emotions, but also how we can evoke emotions in our readers. Marcy Kennedy’s here to show us how deep point of view can help us evoke those emotions we want within our readers.
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From school, we’re probably all familiar with using topic sentences to break ideas into paragraphs in non-fiction, but the rules are different for fiction. Choosing where to put paragraph breaks is one of the most voice-dependent decisions we can make as writers.
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If readers like our books, they might want to check out our other stories. Let’s take a look at our options for using buy links to increase the chances that they’ll purchase our work…
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As writers, we face deadlines and commitments every time we turn around. So we’re likely to be familiar with the pressure of deadlines and the expectation of meeting our commitments. But what happens when we can’t meet them? How bad is it for us and our reputation?
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Reader complaints about editing quality usually focus on grammar and word choice and usage. That potential of being called out in reviews is just one reason why copyediting is so important. Sometimes the wrong usage of a word or punctuation mark can even change the meaning of our writing, as Misti Wolanski is here to show us today.
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Last Friday, Angela Quarles’s book Must Love Chainmail was named a finalist in RWA’s RITA award, and my writing bestie’s success reminded me of an important lesson for all of us. The road to success can look an awful lot like chaos. *smile*
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Theme is one of those concepts that can be hard to understand, but by understanding themes, we’ll better satisfy our readers. In the recent debate about the romance genre’s requirement for a happy ending, the controversy comes down to themes, believe it or not. *smile*
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Everyone has an ego, a sense of how they fit into the world. In the publishing world, that “everyone” includes the newbie writer and the multi-published NYT bestseller, the professionals of traditional publishing and self-publishing. Sometimes egos are healthy and helpful for getting things done. Other times…not so much.
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During our search for beta readers, we might come across other writers willing to exchange–but they write in a different genre. Should we try a critique partnership anyway? Here are 4 tips for beta reading outside our genre.
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