Where Normal Need Not Apply
When trying to find the best editor for us, we might struggle more with developmental editors because the usual technique of asking for sample edits doesn’t work. So how should we find a developmental editor who’s a good match for us?
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A question over at my guest post at Writers Helping Writers asked what a writing coach was, but there’s no definitive answer. On some level, a coach is anyone who gives advice, so before asking ourselves if we need or want a writing coach, we’d first have to dig into what we mean by the term.
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Given world events, many people want an escape right now. Our writing—our stories—can give readers a breather, a chance to recover, an opportunity to regroup and build up strength or defenses. The crazier the world, the more the world needs our stories.
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Marketing a book—including its cover, title, tagline, and blurb—to appeal to readers is a different skill set from writing a book, and getting feedback on those elements can be tricky. Today Jefferson Smith shares a resource for improving those critical aspects of our writing.
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We’ve talked before about adding depth to our settings, but there’s another way to bring our settings to life and immersing readers in our story: layering unique details and sensory information. Today, Christina Delay to shows us how.
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Many big-picture elements are related: A problem in one area of our story often weakens other areas. Luckily, if we understand those relationships, we’ll better see how fixing one aspect will strengthen the others, making our revisions easier and more efficient.
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Many people have tried to identify what goes into creating our voice, but it’s a hard thing to define. We often just know it when we see it. Voice is personal—not just for writers, but also for readers. Yet we can identify—and strengthen—the 5 elements that go into our voice.
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If you’re a writer, this list might help you give suggestions to family or friends. Or you can direct your family to this post for ideas. Something on this list is bound to please every writer out there.
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Newsletters are an important tool for holding onto our readers from book to book, but we usually have to pay a newsletter service if we have a lot of subscribers. So how can we make sure we’re not wasting money on uninterested subscribers?
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Just because we don’t have a brag-worthy NaNo doesn’t mean that we failed. Or if we do come up with 50K words, that doesn’t mean we’re happy with our work. Either way, A.E. (Anita) Siraki is here to share her insights on what comes next.
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