Where Normal Need Not Apply
Links in the back of our book can lead to our other books or to a mailing list signup. But the internet is fluid and websites and pages change. How can we make sure our links won’t go bad?
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To create a great emotional story, we need to know not only the vocabulary of describing emotions, but also how we can evoke emotions in our readers. Marcy Kennedy’s here to show us how deep point of view can help us evoke those emotions we want within our readers.
Pin ItIf readers like our books, they might want to check out our other stories. Let’s take a look at our options for using buy links to increase the chances that they’ll purchase our work…
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Reader complaints about editing quality usually focus on grammar and word choice and usage. That potential of being called out in reviews is just one reason why copyediting is so important. Sometimes the wrong usage of a word or punctuation mark can even change the meaning of our writing, as Misti Wolanski is here to show us today.
Pin ItOnce we get a reader to check out one of our books, we want to hold onto them and keep them as a reader. Let’s take a look at our options for retaining readers…
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We’ve been discussing when we might be willing to be paid in “exposure.” There are valid reasons for deciding that more exposure will be good for our long-term plans. However, we’d want to make sure that exposure actually materializes in a helpful way and works hard for us.
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Kristen Lamb wrote last week about how the “culture of free” is killing creatives. Too often, we’re expected to work “for exposure.” At the same time, I recently posted about how we can use free content as a pricing strategy. So which is it? Should we work for free or not?
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As writers and as readers, we’ve probably noticed the many ebooks offered for free and wondered why anyone would do all that work for nothing in return. My monthly guest post at Janice Hardy’s Fiction University explores the benefits and risks of freebies.
Pin ItIf we’re looking into self-publishing, we’ve probably seen conflicting advice about how much to charge for our work. My monthly guest post over at Janice Hardy’s Fiction University digs deeper into the pros and cons of pricing low.
Pin ItSelf-publishing advice often centers on how much we should charge for our work, and the advice often conflicts. My monthly guest post over at Janice Hardy’s Fiction University is digging deeper into our options for our pricing strategy and why we might want to make each choice.
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