Where Normal Need Not Apply
All of us start on the writing path from different places, but somewhere along our path, we realized an online writing community existed. The #cockygate issue reiterated for me just how important that community is for our career.
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Sometimes a “refresh” of our brand isn’t enough to match the changes we want to make to our online life. Let’s explore what we might want to watch out for when we’re considering a major change.
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For many writers, revision is the scariest step of the editing process because it involves much bigger changes than simply tweaking a sentence or word. Lisa Poisso is sharing her suggestions for how to improve our revision skills.
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A Black Moment is an event in our story that steals the protagonist’s hope for a solution. However, some stories don’t make sense with a typical catastrophe for a Black Moment. How can we give them a Black Moment that will work?
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Because our themes live in the subtext, it’s easy to create unintended themes that undermine our intended theme. That risk increases if we’re trying to create success themes but our story has a bittersweet ending.
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Characters inhabit every story, and yet we might not have thought deeply about what they are, what they mean for our story, and how we can use that knowledge to create characterization. Today, author Damon Suede shares his insights.
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We’ve been working to ensure my mega-lists of writing craft skills for story development, line editing, and copy editing are as complete as possible. Today, we’re diving into a deeper explanation of theme development.
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I’m proud to write romance, so it’s no surprise that the #MeToo movement has prompted a lot of thoughts in me about the role of the romance genre in women’s lives.
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When we first start writing, we might emulate what we’ve seen in our reading, but the default point of view isn’t necessarily the best choice. How can we know which choice is right for our story?
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It’s not always easy to know how much showing or telling works best for our story, so let’s dig a little deeper into some of the problems with trying to find the right balance of showing and telling in our stories.
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