Where Normal Need Not Apply
For every aspect of our story, we have to find the right balance. One element many writers struggle with is description: too little leaves our readers floating without an anchor, and too much drags our story’s pacing. So how do we find the right amount and know whether we need more or need to cut?
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As writers, we’re so close to our stories it’s impossible to know how readers will interpret our words. That’s just one reason why we often need beta readers.
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Everyone who knows me and follows my blog knows I love to help others. Most people who contact me are appreciative, and I really am happy to help. But there are a few… *sigh*
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Last week, we talked about how we can add diversity to our stories in a respectful way, and no matter what kind of story we write, we’re probably going to need to research something. Whether we’re referring to an aspect of diversity, a setting, or a character’s job, we can’t know everything about everything.
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The real world is filled with diversity, and our stories should be the same way. There’s no “one right way” to portray diverse characters, but there are wrong ways to portray diversity. However, there are steps we can take to minimize—as much as possible—the potential of “getting it wrong.”
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A common suggestion for how to attract readers is “offer a freebie.” However, there are risks to that strategy that we should be aware of before we can make an informed decision.
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For many writers, the point of writing is to connect with others through our words. Because of that desire, it’s hard to ignore feedback, and during editing, we don’t want to ignore suggestions. But what about after we publish? Should we read reviews of our published work?
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How are villains, character likability, subtext, and point-of-view all related? In many stories, our antagonist is a non-POV character, and for non-POV characters, my previous tips about likability will be limited to subtext. So even though we might not be trying to make our villain likable, we might struggle to make them layered.
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In writing, it’s difficult to balance “not enough” and “too much.” Not enough flaws can make our characters flat, and too many flaws can make our characters unlikable. Some genres can get away with unlikable characters, but for those stories that can’t, here are 3 1/2 tips to fix the problem.
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An interesting conversation grew out of Misti Wolanski’s guest post earlier this week. She mentioned that sometimes readers enjoy finding typos. Let’s take a closer look at what that means for readers and for us as authors? Should we leave typos in our work? What say you…
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