Where Normal Need Not Apply
As writers, we get to research anything we want. The problem comes when we think we know something, so we make assumptions without doing the research. Many of us assume we know the justice system because of the endless TV shows and movies depicting lawyers and courtrooms, but those sources don’t always get it right.
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Last week, we talked about how we can add diversity to our stories in a respectful way, and no matter what kind of story we write, we’re probably going to need to research something. Whether we’re referring to an aspect of diversity, a setting, or a character’s job, we can’t know everything about everything.
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The real world is filled with diversity, and our stories should be the same way. There’s no “one right way” to portray diverse characters, but there are wrong ways to portray diversity. However, there are steps we can take to minimize—as much as possible—the potential of “getting it wrong.”
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I started visiting the original The Bookshelf Muse website by Angela Ackerman and Becca Puglisi soon after they started it, and it’s been fantastic to see their vision grow. So I’m thrilled to welcome Angela here today, as she’s going to share writing-related goodies with us.
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My regular readers know that I’m a pantser, but I’m naturally a planner/plotter in the rest of my life. So when a reader asked me how to build a scene list from a beat sheet, I didn’t shudder and scream in horror. Instead for my plotter-loving friends and readers, I figured I’d put together a real answer.
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Some authors are able to write coherent stories while drafting. Others put together words willy-nilly and end up with a story that doesn’t hold together. And still others plot but are just writing their chaos down in advance. For all, a strong sense of story structure would help them during planning, drafting, and/or revisions.
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Some writers can find themselves paralyzed by the thought of needing to get their first draft “right.” That’s crazy-making, however. A draft—a first draft especially—is a tool to help us discover the story we want to tell, the characters we want to meet, and the themes we want to explore. That’s it.
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Most genres benefit from including touches of humor here or there—even the dark and angsty stories. But I’m not naturally a funny person, so I jumped at the chance to host an expert on comedy writing. Rhoda Baxter is here to share her tips that will help us add humor to any genre.
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If we don’t want to write characters who are too perfect, we have to layer in a few flaws. That means we might be writing characters who are “broken” in some way, and we don’t want to get the details wrong. Luckily, I know just who can help us get this right.
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One of my most popular posts is for my Romance Beat Sheet, but one of my readers asked if I could create a Scrivener template to go along with the Romance Beat Sheet. Yes! If you’re a romance author and use Scrivener for drafting your stories, today’s post is for you.
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