We all love a “good” villain, but sometimes we want our bad guy to see the light and find redemption (or at least start on that path). Becca Puglisi is here to show us how with four paths to redemption for our villain.
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As part of last week’s giveaway, I added several suggestions to the Writing Craft Master Lists, but before I announce the winner, let’s share our favorite writing resources.
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Our readers often want an emotional connection to our story and characters, but sometimes we struggle to explore deep emotions in our stories. Luckily, our lifetime of memories is the perfect repository of emotions for us to mine.
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As writers, we push ourselves to learn new skills and strengthen our craft—despite discouragement, lack of support, and only a small chance of success. We persevere.
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It’s tricky to tie up all the threads in our story’s Climax and even harder to give guidelines for how to write it, but let’s try to identify some story aspects we might want to include.
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In Kristen Lamb’s guest post series on antagonists, we’ve talked a lot about the non-evil, non-villain style of antagonists. Today we’re finally(!) focusing on the villain and how we can avoid mustache-twirling by giving them depth.
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In a “man vs. self” story, we can’t just show a character arguing with themselves. Instead, Kristen shows us how to use a technique like in the movie Black Swan—where the outward antagonists represent the protagonist’s own issues.
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Sometimes, we’ll say that a character is their own worst enemy, such as the “man versus himself” story premise. However, those stories use proxies to provide a face for the opposition. Today, we’re going to dig deeper into this idea of man versus self to better understand the concept.
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In storytelling, we often talk about the arc of our hero—the path of change and improvement they follow while trying to reach their goals and satisfy their desires. Like our characters, we have an arc, and we can take lessons from the hero’s journey of our characters and apply it to our life.
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What makes a “strong female character”? We can struggle to define them because we see so few successful portrayals of such characters—especially in movies. Luckily, Diana Prince in Wonder Woman is a wonderful (ha!) example, so let’s break down her strengths so we can push for more characters like her in our stories.
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