Our stories consist of many elements—from backstory to dialogue—that each contribute to our story. Yet we can overdo those elements with an information dump. How can we include the different elements while making sure we don’t cross over into Info Dump Land? Let’s talk options…
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My Elements of a Scene Checklist helps us identify whether a scene is truly necessary and contributing to our story by making sure it fulfills a story purpose. The same judgment criteria can apply to subplots as well. Let’s take a look at how can we make sure our tangents and subplots are adding to the story and not acting as a distraction.
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Many stories “strike out” with readers in the first chapter. So our opening pages are just as critical to sales as our book cover, title, back-cover blurb, etc. Let’s take a closer look at cliches to avoid and tips to make those pages work for us.
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If we write our story well, every aspect of the story will contribute to the overall picture and create an impression for the reader. There aren’t any unimportant details in a well-written story. And that means the careers for our characters shouldn’t be an afterthought either.
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Last year, I wrote a series of posts about a fabulous presentation by Michael Hauge on “Using Inner Conflict to Create Powerful Love Stories.” But the teachings I picked up from the presentation went far beyond being applicable only to romance. Blogger extraordinaire Janice Hardy was in the workshop with me, and […]
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Last time, we talked about using our characters’ strengths to develop their flaws. But I didn’t get a chance to talk about how we could figure out the matching flaw for a character strength. Many of you are probably familiar with the Myers Briggs test, a well-known test that labels people […]
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In my post last week asking if we can have too much voice, some great questions came up in the comments. I decided to turn them into “Ask Jami” blog posts rather than bury the answers in the comment string. Earlier, I shared ideas on how to use color-coding to check if […]
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