Deep POV relates the story from inside our character’s head, and subtext hides meanings between our words. Together, those concepts develop our characters and the relationship between them.
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If you’re still unsure if you can make NaNo work for you, Jenny Hansen is here to share her advice about what matters during NaNoWriMo and what we should ignore. Check out her 10 tips for rocking NaNo your way.
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As writers, we push ourselves to learn new skills and strengthen our craft—despite discouragement, lack of support, and only a small chance of success. We persevere.
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When we want to write inclusively, letting our lazy brain rely on assumptions can lead to problems. Bran L. Ayres is here with resources and tools to help.
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It’s not always easy to know how much showing or telling works best for our story, so let’s dig a little deeper into some of the problems with trying to find the right balance of showing and telling in our stories.
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One of the most common pieces of writing advice is to Show, Don’t Tell. In many cases, that’s good advice, but as with most advice, that “rule” is imperfect and incomplete.
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Our definition of success will affect our happiness. So let’s walk through how we might define our success—as well as what it means if we haven’t yet “succeeded.”
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An article comparing the Arrival movie to its short story inspiration triggered me to see Genre differently. In short, our story’s genre is simply the worldbuilding “lens” we use to explore our story’s meaning.
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To make NaNo work for us, we need to figure out our goals for the experience—and there’s no wrong answer. However, if our goal is to create a coherent story, we should try to understand story structure.
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As a writer we can suffer from the impostor syndrome, feeling like a newbie many times over. But we all have expertise in something, and now’s your chance to help others and share what you know.
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