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How to Avoid Head-Hopping

Relay race baton pass with text: Point of View: Handling Hand-Offs

We’ve learned that head-hopping should be avoided if we want to maintain a strong connection between the reader and the characters, and we’ve learned that just calling something omniscient doesn’t solve the head-hopping problem. This brings up the obvious question: How do we avoid head-hopping? The answer might be different […]

February 3, 2011

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What Makes Omniscient POV Different from Head-Hopping?

God's Eye View

Last time, we talked about how head-hopping is something to avoid, and not just because there’s a rule against it.  Any change in point-of-view (POV), whether using an “allowed” technique or not, risks weakening the connection between the reader and the story. Head-hopping authors sometimes say they’re writing in omniscient […]

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February 1, 2011

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Why Is Head-Hopping Bad?

Mannequin heads

Depending on who you talk to, head-hopping is somewhere between a shoulder shrug and the-world-is-ending bad.  Note that neither of those extremes thinks that head-hopping is good.  I suppose it could be positive if used in some sci-fi story, along the lines of “body snatchers,” but we’re talking about it […]

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January 27, 2011

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When Is a Story Worth Writing? – Part Three

Thumbs up

If we don’t want to waste time writing a story that will never get anywhere, we have to make sure we’ll be able to complete it.  And guess what?  It’s not completed when we, as writers, think it is.  Going from seed idea to completion happens over two stages. So […]

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January 25, 2011

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When Is a Story Worth Writing? – Part Two

Green eggs and ham

Writers are often overwhelmed with story ideas.  When I’m in the middle of difficult revisions, it’s normal for me to think of several other shiny ideas that I would much rather work on instead of doing yet another round of edits.  But not every idea is worthy of a story, […]

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January 20, 2011

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When Is a Story Worth Writing? – Part One

Tree growing from book

Every story begins with an idea.  Sometimes this idea comes to authors out of the blue.  Sometimes a dream provides the spark.  Sometimes “people watching” or an overheard conversation will trigger the thought.  But no matter where it comes from, the idea kicks off everything else, like a seed from which […]

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January 18, 2011

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What’s Your Favorite Writing Lesson?

Chalkboard

Yesterday, the inimitable Tawna Fenske had a blog post about how reading outside our comfort zone can make us better writers.  Her post got me thinking about a book I recently finished, Anna and the French Kiss by Stephanie Perkins. Unlike my usual genres of paranormal or historical, Anna and […]

January 13, 2011

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What Writing Rules Do You Hate?

Angry Face Drawing

Anyone who has had me read their work can attest to the fact that I can be a tad, um … detail-oriented.  *ahem*  All right, I’ll admit it.  I’m a nit-picky perfectionist, even on beta-reads. I know, I know.  I’m trying to control this tendency.  Beta-reading shouldn’t involve line-editing.  And I owe […]

January 11, 2011

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How Do You Decide on Your Author Brand – Part Two

Girl with Shush Finger

Disclaimer: I love Maureen Johnson’s “I am not a brand” manifesto down to the last punctuation mark.  That’s not the approach to branding I’m talking about. An author’s brand isn’t about selling.  It’s about recognizing that what we say and how we act affects what others think of us.  It’s about then […]

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January 6, 2011

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How Do You Decide on Your Author Brand? – Part One

Venetian Mask

I’m being interviewed over at Rachel Firasek’s blog today.  Me!  I’m marking this day on the calendar for sure.  However, before sending you over there, I wanted to share with you some thoughts about this “branding” thing authors have to keep in mind now. Yesterday, Roni Loren (my friend from […]

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January 4, 2011

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