Where Normal Need Not Apply
Thanks for stopping by!
Welcome! Readers make all the work worthwhile, so I’m glad you’re here!
Here’s a collection of posts from my blog you might find interesting. These include news about my book releases and contests, as well as some fun stuff about me and my thoughts about the romance genre, books, and reading in general.
In any profession, we have to stay on top of industry changes, and publishing is no different. Recent stories have stated multimedia ebooks are the future of fiction, so it’s in our best interest to learn whether storytelling will evolve into multimedia ebooks as the primary medium.
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This week is Banned Books Week, an annual event sponsored by the American Library Association celebrating the freedom to read. Many have already blogged about the political aspects of this event, so I’m tackling this issue from a less serious perspective. Sort of. *smile*
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If we want our protagonists to seem heroic, they need to have strong traits. Yet at the same time, if we want our protagonists to be relatable, they need have vulnerabilities. This is never an easy balance, especially when clichés fill our heads about what a “strong character” means.
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Diverse books are important—not simply for the sake of diversity—but so that by sheer number of representations, any one type of character isn’t limited to a stereotype. The truth is that we are all diverse. No one stereotypical character will ever represent us, no matter our color, nationality, or background.
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Life is filled with work that needs to be done whether someone loves to do it or not. I’ll be the first to admit that I write because I love it. But the problem with thinking that we should do what we love and love what we do—as a career—is many layered.
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When we write, we try to give our characters both strengths and flaws. Giving our characters a mixture makes them seem more real, more three-dimensional. Of course, the fact that characters seem more real when they have both strengths and flaws reflects that we are also a mixture of strengths and flaws, and sometimes our flaws hold us back.
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We have a hard time defining literary fiction. Society gives us assumptions on the relative value of genre vs. literary fiction, but those assumptions miss the point. Assigning value judgments to the labels “literary” and “genre” doesn’t make sense because preferences are subjective opinions and there’s no “better” or “worse.”
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Reading is subjective. The stories some of us hate, others love. Personally, I have no interest in non-genre stories. This is not a sign of my inability to think deeply, but rather a personal preference. Mary Buckham’s ideas about the differences between literary and commercial fiction made me wonder about this preference.
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Too many kids who were voracious readers earlier in their life learn to hate reading during their teenage years. According to a post on Writer Unboxed, one third of high school graduates won’t read another book—for the rest of their lives. For too many, reading becomes a means to an end. Absorbing knowledge. Period. And reading for pleasure now seems like a faraway dream.
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Okay, so I’m a week-and-a-half late for Valentine’s Day and the topic of this post. I’ll “blame” the time I put into WANACon. *smile* We had a fantastic and successful WANACon though, with great sessions on many writing-related topics, so I’ll call it a worthwhile trade. I recently came across […]
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