It’s hard to find an editor we can trust. To help, I’m sharing Part One of Jeff Lyons guest post with the questions we should ask before hiring story help, such as editors and consultants.
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Many groups and forums for self-published authors compare notes on what works (or doesn’t work) for promoting our work. I’m not a promotion expert—at all. But I’m sharing my experience on what I’ve tried so we all have another data point to consider.
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Whether we pursue traditional publishing or self-publishing, rejection is a given for writers. Our choice simply comes down to how we’ll handle it. Will we let rejection hold us back, or can we see it as a sign that we’re doing something right?
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Several debates have come and gone on the publishing landscape. Plotters vs. pantsers, self-published vs. traditionally published, etc. I’ve always said that people should find whatever works for them, but what if we don’t know what that might be?
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When trying to find the best editor for us, we might struggle more with developmental editors because the usual technique of asking for sample edits doesn’t work. So how should we find a developmental editor who’s a good match for us?
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In traditional publishing, authors (and their readers) are often stuck with errors, but with ebooks, POD, and self-publishing, files are easy to fix and upload. Should authors make changes, or should books be set in stone?
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Over the years, a sharp division has split the writing community into two camps: traditional publishing and self-publishing. However, the current us-vs.-them attitude doesn’t seem nearly as bad as it used to be. When writers research their options for which path they should take, what advice do they encounter now?
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This year at RWA, I was eligible to attend special published-authors-only workshops geared toward those with more experience, and I want to share some of the highlights from those workshops, as I think we can all benefit from many of the insights.
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As a modern writer, we’re expected to do so much that we struggle to find time to write—even if we’re traditionally published. No one will ever care about our career as much as we do, so that means we should pay attention to many aspects of entrepreneurship.
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Everyone has an ego, a sense of how they fit into the world. In the publishing world, that “everyone” includes the newbie writer and the multi-published NYT bestseller, the professionals of traditional publishing and self-publishing. Sometimes egos are healthy and helpful for getting things done. Other times…not so much.
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