Graph line going up with text: How Success Raises the Stakes...in Our Life

In writing, we always want the stakes to increase over the course of a story. The problems get bigger, the risks get bigger, and the reasons the characters need to succeed get bigger.

The same concept can apply to real life. When we first start a blog, it doesn’t matter if we fall flat on our face because no one is watching. Who’s going to know? The problem comes if we artificially try to keep the stakes low, even as time goes on, or when higher stakes make us afraid of taking new risks.

For example, some authors try to minimize the stakes when they publish their stories, even though publication should be a time of raising the stakes. I’ve seen authors slide their book onto Amazon and slink away with barely an announcement. Anonymity can feel safe. They’d rather reduce their chance of success than risk a public failure.

Success and stakes and risk all work together. And sometimes we might not like that.

Success Creates New Fears

Last time, we talked about the fear and self-doubt that causes us to think that bad news is deserved and good news must be a fluke. Any success added to the mix raises the stakes.

The more blog readers we have, the more people there are to be disappointed when we write a “dud.” The more readers of our books, the more witnesses to that bad review. The more good reviews, the higher the expectations for future readers.

I know this fear quite well. Every blog post that people praise in the comments makes me wonder how I can possibly meet expectations the next time. (And the time after that, and the time after that…)

Successful authors speak of this fear as well. After a string of well-received books, rather than feel good, they instead worry about having that many more readers to disappoint. The higher we rise, the further we have to fall.

Succumbing to Fear Freezes Us in Place

Many of us are people-pleasers in some way. If people have expectations, we want to meet them. Fear of disappointing others can be a powerful force.

We might not want to experiment on our blogs or in our stories. Authors sick of a series or genre might feel stuck. Once we have success in one area, it can be a risk to “throw away” what brought us that success.

I suspect this fear leads some bestselling authors to take less risks with their writing over the years. Were they simply experimenting to find a formula that works, and now that they did, they’re happy to repeat themselves? Or do they not want to risk the livelihood of their family, their assistant’s family, their agent’s family, and their editor’s family by trying something new and different?

We Shouldn’t Fear Risk

We can’t let fear keep us from trying. Just as I still write new blog posts week after week, we need to push ourselves and our writing.

Sure, some blog posts or stories might resonate stronger than others, but the vast majority of the time, people forgive us for occasional “duds.” Readers tend to remove authors from their auto-buy lists only after several duds in a row.

This type of risk isn’t about jumping out of airplanes or swimming with sharks. This risk doesn’t have the inherent potential to kill us. *grin*

Writing Isn’t about Being Comfortable

Stories are at their most powerful when we delve into those dark corners of our minds to find the nugget of truth. Poking around in our insecurities and fears isn’t comfortable. It’s not supposed to be.

I’ve seen the advice from many writers that we’re not doing our job with a story unless something about it makes us uncomfortable. That’s true for life in general. Oodles of sayings about “not resting on our laurels” and “pushing the envelope” make that clear.

So while we might dream simply of being successful enough with our writing to be “comfortable,” we shouldn’t get too comfortable with our actual writing. We’ll be better able to write stories about risk and fear and stakes if we’re confronting those issues head on in our real life too. If we embrace the higher stakes that come with success, we might even be able to write our way to our happy ending. *smile*

Have you experienced success that raised the stakes? How did you react? Have you ever been afraid of change because of success? What other ways can this fear hold us back? Do you agree that writing isn’t about being comfortable?

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Does Good News Make You Worry?

by Jami Gold on May 14, 2013

in News

Happy and sad drama masks with text: Does Good News Make You Worry?

Being a writer can often feel like living on a rollercoaster, with huge hills and dips around every curve. Writer’s block, rejections, low sales figures, pirated books, and other bad news can make us feel heavier than gravity itself. We might wish we could sink through the floor and disappear.

On the other hand, good news—plot breakthroughs, contest wins, publishing contracts, great reviews—can make us feel like we’re going to float right out of our body. We live for days like that.

Or do we?

Note to Self: Good News Doesn’t Cause Bad News

I’ve stated before that I’m a Pollyanna kind of person by nature. I don’t focus on the bad stuff. Instead, I tend to look for the good in every situation.

But when good news—and I mean really good news—comes my way, the self-doubt kicks in. I wait for the proverbial “other shoe” to drop. I wait for the bad news that will “even out” the good. What goes up must come down, right?

This worry frustrates me because it keeps me from really enjoying my good news. Too often, when my initial shock at the news wears off, my mood skips the happy, giddy phase and goes straight into the little voice of “it won’t last.”

I wish I could just enjoy good news for what it is. It is good news, not a promise that it will last forever. And yes, there will be bad news at some point in my future. Duh. But one doesn’t cause the other, so I should enjoy the good news while I can—for however long I can.

Self-Doubt Can Prevent Us from Enjoying Good News

I suspect I’m not the only person with this problem. Given the typical self-doubt among writers, there are probably plenty of us who think any good news is a fluke and not to put too much stock into it. That self-doubt can even make us think that bad news is deserved and good news is luck and luck alone.

But bringing ourselves down accomplishes nothing except robbing us of our good mood. It doesn’t “inoculate” us against bad news. It doesn’t make bad news any less bad or less painful to take. Bad news still sucks and always will.

So we shouldn’t not enjoy our good news. Most of us know this already, but logic and emotions aren’t always on speaking terms.

We can’t erase the past for when we stole our good mood away before its time. But maybe we can revive some of those happy vibes by sharing our good news in the comments. Whether you figured out how to fix a sticky plot hole last week or received a great review last month, think about what deserves more recognition in your happiness meter.

My Good News (Note to Self: It’s Not a Fluke)

Here’s the good news that started me on this worry: This past Saturday, I first received word that Treasured Claim finaled in its 6th contest, the Laurie. Yay! Finals are good, right?

A couple of hours later, I received word that one of those six finals turned into a First Place win in the Winter Rose contest. Double yay!

Then an hour after that, I received the score sheets from that final in the Laurie. Three judges. Three perfect scores. *jaw drops and head explodes*

Perfect scores just don’t happen that often in writing contests. Before then, I’d received one perfect score last fall and a second one last month (in that Winter Rose contest I later won).

Now to receive three perfect scores? From all three judges? I must have double-checked those score sheets at least four times to make sure I wasn’t seeing things. I wasn’t. Those scores were real.

And that much good news in one day was more than my writer brain could handle. Cue the entrance of my denial and self-protection mode.

We Need to Believe in Ourselves and Not Fear Good News

My self-doubt didn’t want to believe what those scores meant. It was easier to think it was a fluke. My self-doubt would rather punish me by taking away my good mood. I even tweeted: “I want to push the pause button before any bad news comes in.” Sure, there was an LOL after that, but the fear was real.

We need to beat back that fear. We need to shut up that self-doubt long enough to enjoy our good news. We need to believe that good news comes not just through luck that will randomly abandon us, but through hard work. And we can hope that hard work will result in more ups than downs on the rollercoaster of our life.

In short, we need to believe in ourselves, our skills, and our ability to make our own luck. Good news isn’t a fluke if we’ve worked for it.

As a side note, I’m calling myself done with entering contests for unpublished authors. I’m still waiting to hear back from a couple of contests I entered last month, but after that, there’s nothing else “contesting” can do for me. I need to get over my self-doubt and accept that this story deserves to be published, some how, some way. *smile*

Has good news ever made you worry? Do you fear that bad news is deserved and good news is simply luck? (And if you’ve overcome this problem, share your advice. *grin*) What’s something good that’s happened to you lately? What can you do to hang on to that happiness or celebrate?

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Sleazy salesman holding a contract with text: Is There a New Breed of Vanity Publishers?

A few weeks ago, author David Mamet announced he’ll be self-publishing his next book through his literary agency. Some think this is big news, some don’t, and some wouldn’t call David’s plan self-publishing at all.

Regardless, this news means we’re seeing the second wave of self-published authors. While the first wave was comprised of early-adopting, independent authors with an entrepreneurial spirit, this second wave is a mainstream movement where the authors are used to being part of traditional publishing team.

Understandably, they’d like some help, some hand-holding, some “I don’t have a clue what I’m doing—someone just tell me what to do!” direction. Many early self-publishers are stepping in to provide that help with how-to books and workshops.

Unfortunately, so are others…

A New Breed of Scammers?

In the old days of traditional publishing, scammers in the industry were easy to spot. Newbies heard the advice: “Money always flows to the author. If they want you to pay out-of-pocket, run.” That advice worked to protect newbies from unscrupulous agents attempting to charge a “reading fee,” as well as from vanity publishers charging authors for everything imaginable.

In fact, that advice stuck so well that many traditionally published authors initially looked down on self-publishing for no other reason than because they couldn’t understand how self-publishing was different from vanity publishing. Most now understand that self-publishing is an entrepreneurial undertaking and thus incurs upfront costs: editing, cover design, etc.

But the increasing numbers of self-published authors have also led to increasing numbers of companies claiming to want to help these budding entrepreneurs. And that’s where things get complicated. *smile*

Opportunism at Its Worst?

Companies are rushing to tell those nervous traditionally published authors, “Don’t worry. We know you liked the support of a team in the traditional publishing environment, and that doesn’t have to go away. We can be your team now.”

These companies offer to help authors format their ebooks, upload their files to the different retailers, provide assistance with cover design and editing, and sometimes even handle social media.

In short, they can look like a godsend to overwhelmed and intimidated newbies. But as I’ve written before, we need to watch out for many (if not most) of these epublishing service companies.

David Gaughran exposed how many agents are starting their own “self-publishing arms” with similar offerings. (His list of agencies using a questionable epublishing service company is like a round-up of many of the biggest names in the business!) He then went on to expose how many traditional publishers are doing the same with various extensions of Author Solutions, long known for their vanity publishing scams.

Are ePublishing Service Companies the New Vanity Publishers?

I think we first have to specify what made the old-style vanity publishers “bad.” To be blunt, they were scammers that took advantage of authors, often while selling the idea that authors needed these expensive options because they and their book were oh-so-special. They overcharged, under-delivered, and in some cases, locked up rights.

In these new cases, we have the Argo Navis company of David Gaughran’s post taking a permanent cut of 30% for simply uploading ebook files. No formatting, editing, or cover design. Just uploading to retailers like Amazon, Barnes & Noble, etc. Thirty percent. Ongoing.

Uploading files is arguably one of the easiest aspects of self-publishing, or if necessary, could be outsourced to someone for a flat fee. So I’d call that ongoing 30% “overcharging.”

The publishers’ approach isn’t any better, as Penguin now owns the biggest vanity press around and plans to expand its reach. Their Author Solutions subsidiary is made up of a dozen different logos and brands for each of the traditional publishers looking to offer their own self-publishing arm.

Author Solutions is known for such poor editing that they create more errors than they fix, and they’re currently being sued for breach of contract (such as for failing to pay out royalties). I’d call that “under-delivering.”

Or let’s take a random epublishing service company called easyepublish (I’m not linking to them on purpose—feel free to Google). They format and upload the ebook files to retailers. But that means they own the files (and don’t share with the author), and they own the ISBN (which means the author must start over with rankings and reviews if they don’t want to use (or pay) the company anymore).

Are the authors who sign up with companies like these even self-publishers? The authors are, to some extent, locked in and dependent on them for passing on the income from sales, less their ongoing 15% (or more) cut.

The Line between Self-Publishing and Vanity Publishing

The lines between self-publishing and vanity publishing have gotten blurred and wavy over the years. (After all, Amazon’s print-on-demand CreateSpace lists itself as publisher and uses their ISBN for extended distribution.) That makes it harder for us to know whether a service provider is friend or foe.

However, we might have uncovered a scammer if…

  • their name is listed as the publisher
  • they own the ISBN
  • they own copies of the book above and beyond what’s authorized by the author
  • they can sell or distribute the book in a place or time against the author’s wishes
  • they set the price of the book
  • any rights to the book transfer away from the author
  • they want to dictate any aspect of the editing, formatting, design, distribution, or sales process
  • they demand any kind of exclusive
  • they require the author to sign on for a minimum period, or the author isn’t free to cancel at any time
  • they charge by ongoing percentage of sales rather than by flat fee
  • they provide their list of charges and services only in a nebulous, easily changed TOS (terms of service) statement instead of in a contract
  • they receive the revenue from retailers and pass on the money only after their cut
  • sales figures from retailers go to the service company and not the author

As noted above, Amazon’s CreateSpace fails on the top two bullets, so this isn’t a smoking-gun list. Instead, it’s a list of what should make us look more closely at the situation. What’s being offered, what’s being required, and what’s in it for us? And especially, what are they doing for the money that we couldn’t do ourselves or pay someone to do for a cheaper/flat fee?

Some authors might decide an epublishing service company is perfect for them. And as long as they fully understood all the pros and cons going into the situation, I wouldn’t necessarily say they were being scammed.

But I’m afraid too many authors don’t fully understand and/or are intimidated by the self-publishing process and thus too eagerly accept help without doing their due diligence. Self-doubt can hurt us.

Even if a wanna-be self-published author finds a “good” service company, they might find that using those services erases many of the benefits of self-publishing. Self-published authors usually enjoy the ability to make changes to the content, ebook files, metadata, and pricing of their work. Depending on another company can slow down updates or make them unworkable due to additional fees.

That said, I’ve never been one to say that one publishing method is “better” than another. We all have our own goals, and that means we can have different paths. My hope is that we continue to share information so we have the right knowledge to figure out what’s best for us. *smile*

Do you think epublishing service companies are the new breed of vanity publishers? Where do you see the line between vanity publishing and self-publishing? Can you think of other red flags to watch out for? Do you consider those who use epublishing service companies self-published or not? Do you have any experience with these types of companies?

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Do You Want to Be a Famous Author?

by Jami Gold on May 7, 2013

in Random Musings

Spotlight with text: Do You Want to Be Famous?

Every once in a while, I come across an article about figuring out our goals as an author. Heck, I’ve written posts along those lines. As we learn more about the industry and grow as authors, our goals might change, so it’s smart to revisit the question occasionally.

But there’s a Step Two to that self-analyzing process that we don’t talk about as often: Will the path we’re on lead to those goals?

If our goal is to see our book on a bookshelf, we need different criteria for the “is this a good publisher” question than if our priority is top-notch editing. If our goal is to build up a backlist quickly, we can research whether certain publishing paths would slow us down too much.

Lately, I’ve been questioning my own goals and path because the publishing industry is changing so quickly. Things that weren’t possible months ago are now easy. As a result, I’m tempted to mentally bulldoze my plans and start from scratch based on this new publishing world.

Question Everything

When we question everything, situations might not look the way we thought. Back when I first started pursuing a writing career in 2008, there was only one path (self-publishing was still something that “real” authors didn’t do). Likewise, there was—for the most part (especially in the U.S.)—only one dream:

Authors dreamed of becoming a bestselling author
and being interviewed on Oprah.

But just as the Oprah show is not the same anymore, so too is the publishing industry a shadow of its former self.

Before, no one dreamed of becoming a mid-list author because most of them were lucky if they made enough money to pay a few bills. Making enough to quit the day job? That required bestseller status.

Thanks to industry changes, more authors than ever before are making enough money, even as mid-listers. Neither Oprah or the Big however-many-traditional-publishers-are-left-this-week are gatekeepers to success anymore.

How Do You Define Success?

All those different paths mean that we have to decide what success means to us. Is it the book in a bookstore? Number of readers? Income? Reviews? Buzz? Name recognition?

There’s a big gap between the goals of “wanting to touch someone with our writing” and “being famous.” Both goals are legitimate, but the path that will lead to one goal will be different from the paths toward other goals.

So we have to know our goal and we have to identify the path that will take us there. However, nailing down such specific goals and paths can be difficult.

Do You Know What You Want—and What You Don’t?

Sometimes it’s easier to define what we don’t want than what we do. I know I don’t want to be famous. Never have.

I stated as much a year ago when all the E.L. James and Fifty Shades of Grey hoopla hit my blog. Some of her supporters accused me of bringing up the serious ethical issues in the situation simply because I was jealous of her success. When I pointed out that ethical concerns and jealousy weren’t related in my case because I had no desire to be famous, they assumed I must be lying.

But the honest-to-God truth is that I’m much too private of a person to want to be famous. I’m not only introverted, but can also be horribly self-conscious. Kristen Lamb and the WANA crowd at last year’s RWA conference can vouch for the fact that I’m not comfortable as the center of attention. Being famous would be a nightmare for me.

Will Your Path Lead to Your Goals?

The question of whether my path and my goals match hit home when I saw an article about how some fans of the Sookie Stackhouse books are reacting to author Charlaine Harris’s announcement to end the series (the basis of the True Blood TV show). My jaw literally dropped in horror.

This 61-year-old grandmother is now the subject of online taunts and threats from fans that they’ll commit suicide. For the first time in years, she’s not doing a book tour because she feels the need to avoid her “fans.” She’s even received death threats. Yikes!

That article resonated with scattered thoughts in my head. Like, maybe the default dream that used to apply to virtually every author—the bestselling, Oprah interviewee—never applied me at all. And I’ve been wondering if I’m on the right path for my goals.

Am I tempted to change because of a fear of success? (“I don’t want to be famous.”) A fear of failure? (“I’m sick of querying.”) Or because of a legitimate acknowledgement of the changes in the industry? (“We’re not stuck to a single path anymore.”)

I don’t know. I’m at a loss for how to tell if these feelings are an attack of the all-too-common writer self-doubts or a logical and reasoned question about whether my path really matches my goals. Yes, I’m probably over-thinking this, but uncertainty about decisions drives me crazy. *smile*

Do you want to be a famous author? Do you know what your goals are? Are you on the right path for those goals? How do you know? Do you ever struggle with decisions like this? Any advice for me? *grin*

 

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Three Tips for Better Storytelling

by Jami Gold on May 2, 2013

in Writing Stuff

Little girl reading to little boy with text: 3 Tips for Better Storytelling

Last time, we talked about how good storytelling can salvage even a poorly written book. As I mentioned in that post, storytelling skill is different from writing skill.

Many people have a hard time defining what makes good storytelling—and that makes it difficult for us to improve. Yet I’d argue that storytelling ability isn’t as squishy of a concept as voice, and that means good storytelling can be learned.

Writing skill often refers to the micro-elements that go into a book: grammar, characterization, settings, description, dialogue, sentence structure, etc. In contrast, storytelling skill refers to the macro-elements: the big picture of story arcs and themes and how all the other elements pull together to create a “page turner.”

If we focus on those macro-elements, we start to see the skills we need to become a good storyteller.

Tip #1: Good Storytelling Has a Purpose

If we’re faced with several story ideas, part of our decision on which story seed or premise to develop should be which one we feel most passionately about. Which one speaks to us. Which one has something to say to others.

When we feel that way about the story, we hope our readers will feel the same. We want our readers to be passionate about our story because it speaks to them too.

On some level, we fail if our readers can’t tell by the end of the story why we chose this idea. They shouldn’t feel like they wasted their time on something meaningless.

Stories can gain a sense of purpose in many ways:

  • A strong theme or message
  • Characters that readers care about
  • Plot, stakes, or conflicts that readers care about

We can think about the Climax of the story—where all the themes, characters, and plot events come together—and understand why we’re really writing the story. If we can’t figure out why it’s worth writing, why would readers find it worthwhile to read?

Tip #2: Good Storytelling Believes in the Story

Going along with an external sense of purpose, good stories also have an internal sense of purpose. The characters believe that what happens in the story matters. That attitude makes the story matter to the reader too.

  • Characters’ goals must be important and not contrived.
  • Conflicts must have consequences.
  • Stakes must involve risk.

Clear and honest goals gives readers a reason to root for the characters (which encourages readers to care about them). Then we need to keep the chain of consequences intact to make characters vulnerable and add risk to the stakes. Readers won’t care about characters or stakes if it doesn’t seem like there’s any risk of failure.

To create those consequences, we must pay attention to cause and effect. If plot event A would logically lead to plot event B, then B should happen. We can’t skip plot event B just because it’s inconvenient for us to write or because we wrote ourselves into a corner. If we don’t like plot event B, we should tweak A to lead somewhere different.

If we use plot event Z instead, that would mean that there was no point to A, because it didn’t affect the rest of the story. Plot events without consequences for later events (or for the characters) are meaningless (not to mention a sign of sloppy writing).

A strong narrative chain of action and reaction, cause and effect, is what pulls readers along and keeps them turning pages.

Tip #3: Good Storytelling Focuses on Change

Complaints about stories where “nothing happens” often refer to the problem of nothing changing. Stories should be all about change.

I’ll save you from my pathetic attempt to draw an arc, but picture one for a moment. Arcs are how we talk about change in reference to stories.

  • Story arcs give an overall sense of how the premise plays out.
  • Plot arcs show how plot events work together for pacing and increasing tension and stakes.
  • Character arcs demonstrate how characters learn and overcome their flaws to reach their goals (or not, if the story is a tragedy).

In the comments of the last post, I pointed out how beat sheets can help with this aspect. Beat sheets force us to examine the cause and effects that make events meaningful, ensure that rising action corresponds with higher stakes and tension, and evaluate how change is shown. Check out my full collection of beat sheets here.

My favorite worksheets (keep in mind that I write by the seat of my pants, so I tend to use these more for revision) are the Larry Brooks’ Story Engineering beat sheet for plot arcs, Michael Hauge’s Six Stage Plot Structure for character arcs, and my own Romance beat sheet for developing romances.

The Secret to Good Storytelling

After all that, it might seem that good storytelling is too confusing to learn. However if we step back, we see the macro-elements we need to learn come down to:

  • story structure (beats, plot events, and all kinds of arcs)
  • clear cause and effect (consequences, risk, and story flow)
  • purpose (Why should the reader care?)

I’m a story structure fan (despite my pantsing ways), and I’ve been working on the cause and effect aspects. For me, the trickiest thing is making the reader care.

I’ve suffered from unlikable characters in the past, and my themes often aren’t completely developed until I’m deep in revisions. On the other hand, I think my unique premises help people care at least about the plot. I just want more, and now I have a better idea about how to tackle the issue. *smile*

Do you agree with these tips? Do you have other tips to share? Do you think storytelling can be learned? Do you struggle with one aspect more than the others?

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Why Is Storytelling Ability So Important?

April 30, 2013 Writing Stuff
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What makes some poorly written books fall flat on their face while others succeed despite their flaws? One common answer is “storytelling ability.” But what is storytelling? The concept can seem vague and immeasurable—rather like “voice.” A recent experience with two poorly written books gave me insight into how a deeply flawed story can still [...]

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Why Do You Enter Writing Contests?

April 25, 2013 Writing Stuff
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A couple of weeks ago, someone (I won’t name who because I don’t want to embarrass her) asked me what score I’d received in a writing contest. I didn’t want to answer at first. I worried about making her feel bad or seeming like I was bragging. Yet I could understand her question. She’d noticed I [...]

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What Soap Operas Can Teach Us about Writing

April 23, 2013 Writing Stuff
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I don’t watch soap operas, but a bizarre conversation tangent (in other words, a perfectly normal conversation for me) triggered my thoughts comparing soap operas to novels. On the surface, they seem very similar. They both have characters, tension, and conflict. However, the more I thought about it, the more I saw differences. And those [...]

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Ask Jami: WordPress Questions and Answers

April 18, 2013 Random Musings
Thumbnail image for Ask Jami: WordPress Questions and Answers

My two WordPress workshops are next week, so this is the last time I’ll mention them here on my blog. Try to contain your disappointment. *grin* Today, I’m summarizing the questions and answers from the Facebook chat about WordPress I did last week with Lisa Hall-Wilson. Facebook makes looking through old posts a hassle, so I wanted to [...]

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How to Use Character Flaws to Develop a Plot

April 16, 2013 Writing Stuff
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Last time, we talked about using our characters’ strengths to develop their flaws. But I didn’t get a chance to talk about how we could figure out the matching flaw for a character strength. Many of you are probably familiar with the Myers Briggs test, a well-known test that labels people with a four-letter abbreviation for [...]

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