Where Normal Need Not Apply
Agents, publishers, and publishing paths. Sample topics: traditional and self-publishing issues, e-publishers vs. agents, what platform “numbers” mean, small publishers, trends, understanding fan fiction, etc.
Whether we publish indie or traditionally, we may want to start a company at some point in our writing career, either for our pen name or for a publishing imprint or author services business. Today, I’m excited to have Kathryn Goldman here to share with us the legal aspects of starting our own company.
Pin It
It’s been almost a week since my release of Unintended Guardian, and I’ve been getting lots of questions about how I made my decisions for what to do with my books. Let’s start at the beginning: How did I decide on my publishing path? For that, we have to go back to when I first started on my writing career path.
Pin It
A bit over a year ago, Beyoncé surprised the music world by secretly dropping a new album with zero promotion in advance. Can we apply this strategy to the publishing world? If we run a lot of promo pre-release, by the time we have buy links, will people think our book is old news?
Pin It
In any profession, we have to stay on top of industry changes, and publishing is no different. Recent stories have stated multimedia ebooks are the future of fiction, so it’s in our best interest to learn whether storytelling will evolve into multimedia ebooks as the primary medium.
Pin It
Writers pursuing traditional publishing are often told not to pay for editing before submitting to agents or publishers. But the landscape has changed and we’ve had to change our opinion and attitude about many old-school advice “rules.” Should this advice should be next on the chopping block?
Pin It
It’s no secret that many authors are considering self-publishing on some level. So I’m happy to host my friend Julie Musil, who’s sharing some of the pitfalls of self-publishing and providing tips for avoiding those issues. Honestly though, I think her advice is applicable to every author, no matter our publishing path.
Pin It
If we want our protagonists to seem heroic, they need to have strong traits. Yet at the same time, if we want our protagonists to be relatable, they need have vulnerabilities. This is never an easy balance, especially when clichés fill our heads about what a “strong character” means.
Pin It
This past weekend, author Hugh Howey shared Liliana Hart’s self-publishing method, which she calls “5 down and 1 in the hole.” It’s easy to look at her self-publishing success (over 2 million ebooks sold) and chalk it up to luck. However, I heard advice that complemented her technique throughout the RWA Annual Conference.
Pin It
When changes happen gradually, we’re not always aware of them. My every-other year schedule for attending the RWA Annual Conference allows me to see the changes in the organization like a distant relative. I hadn’t attended the National Conference since 2012 and the differences from then to now were profound.
Pin It
Whether we pursue traditional publishing or self-publishing, rejection is a given for writers. Our choice simply comes down to how we’ll handle it. Will we let rejection hold us back, or can we see it as a sign that we’re doing something right?
Pin It
