Where Normal Need Not Apply
I struggle constantly with keeping my heroines likable. Especially because I want my heroines to be on equal footing—power-wise—with the hero. In other words, I want alpha heroines to go with my alpha heroes. So let’s take a look at how heroines might be alpha characters.
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Stories with multiple major characters—with their own point-of-view (POV) scenes—can make story structure complicated. Do we have to make beat sheets for each character? As a romance author, I write with multiple POVs all the time, so let’s see if we can figure out how to make beat sheets work in those situations.
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Every month or so, there’s an author or blogger or journalist making news by putting romance stories down. “They give women unrealistic expectations!” they say. Right. Are they unrealistic because romances end with love and a Happily Ever After? Or do the naysayers think true love isn’t possible or that it isn’t powerful enough to conquer and overcome obstacles? That’s just sad.
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We often talk about how reading is subjective. But we don’t usually talk about how writing is subjective as well. The genres I enjoy writing and the stories I like to tell aren’t the same that others enjoy or like to write. That’s a good thing. If everyone wrote the same genre, readers looking for something new and different would be left out.
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There’s no shortage of blog posts about what makes characters likable to readers. Yet readers still read and enjoy stories with unlikable characters. Why? Let’s take a look at what options we have for creating characters that compel readers to keep turning pages.
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One of my commenters asked a great question last week that gets to the heart of the balancing game we have to play when writing romance. The characters have to be perfect enough for each other to make a believable couple, but there also has to be enough conflict between them to sustain a story.
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The Black Moment is usually one of the most emotional sections of the story, so it can be difficult to pull together. If we read stories (or watch movies), we’ve seen this beat play out endless times, so we probably understand the plot point more than we may think. But let’s take a closer look and see if we can learn something new.
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We often choose which story to focus on by writing the idea that pesters us the most. That “squeaky wheel” path might lead us to hop genres without meaning to, and our brand is often tied to our genre. So should we ignore that idea? Learn some of the pros and cons we should keep in mind if we consider following our muse’s lead.
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How we describe characters often depends on our story’s genre and what impression we want readers to have. When we’ve talked about descriptions here before, we focused on how it’s important to describe our settings enough to anchor our readers. Do we have to describe our characters to the same extent?
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Today’s Question: “How does one figure out which POVs to use and when? … How can I balance it out so that each character has their share of the novel without revealing too much or ruining the suspense?”
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