I’ve offered several posts here about balancing various elements of our story, but there’s still room for debate because we have to find the right balance for our voice, genre, tone, and style—for our story. That means there is no perfect amount of backstory or description or emotion.
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Should we refer to the real world in our fictional story? Let’s take a look at the pros and cons and why we might want to include those references, as well as why we might not.
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Newsletters are an important tool for holding onto our readers from book to book, but how do we want to grow our list? Do we want to go for quantity or quality? Let’s explore the pros and cons of those two philosophies.
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While I’m still slowly recovering from my latest surgery, Jenny Hansen is here to fill in for me. Most of us suffer from self-doubt, and today Jenny’s sharing her insights about hanging on to our writing dream through all the doubts and fears.
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The stereotype of a writer pounding away in isolation ignores how the online writing community gives us more options. We can work in secrecy or involve others by sharing our work in progress. There’s no right or wrong answer, but we should figure out which approach works better for us.
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Over the years, a sharp division has split the writing community into two camps: traditional publishing and self-publishing. However, the current us-vs.-them attitude doesn’t seem nearly as bad as it used to be. When writers research their options for which path they should take, what advice do they encounter now?
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As authors, we need to be careful when dealing with shocking, horrifying, or potentially problematic story elements. Let’s explore the steps we can go through to figure out the right approach for our genre, story, and characters.
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How would you complete this sentence? “I’ll know that I’m good enough when…” Dr. Valerie Young, an expert on “impostor syndrome,” shares her insights.
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This year at RWA, I was eligible to attend special published-authors-only workshops geared toward those with more experience, and I want to share some of the highlights from those workshops, as I think we can all benefit from many of the insights.
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If we have multiple story ideas, how do we decide which one we should write next? We want to pick one that we feel strongly enough about that when the going gets hard—and it will—we won’t be tempted by a different shiny idea. So how can we avoid second guessing ourselves?
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