“The voice didn’t grab me.” Uh-oh. Isn’t that feedback one of a writer’s worst nightmares? Voice is one of those things that feels like we either have it or we don’t. And we think we can’t easily change it because our voice is so internal to us. But all is not […]
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*Quick Reminder: Don’t forget the Pitch Your Shorts pitch session coming January 10th. Get your 10-60K stories ready. More details to come.* I hope everyone is having a wonderful holiday season, no matter what holidays you celebrate. While I’m enjoying some time with my family, I’ll share this post originally written […]
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Last week turned into an interesting demonstration on the benefits of guest posts. We’ve heard the typical reasons for allowing guests or agreeing to guest post: * increased traffic * networking * and marketing. We bring in guests and hope their readers will stay at our blog for a while, […]
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With any job or activity, if we want to get better, we have to stretch ourselves. Athletes strive to move faster or stronger. Musicians aim to complete a harder, more intricate piece of music. And writers… How do writers stretch themselves? We can collect feedback on our writing from beta […]
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Thanks once again to all who responded to my last blog post about whether books should have a rating system. And I say that not just because I didn’t need my flame-proof jacket. *smile* Many shared thoughtful ideas here on my blog, Google+, and Twitter that helped me refine my opinion. If […]
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We’ve heard of rewriting, revising, and even re-imagining, but what does “re-envisioning” mean? I recently came across the word in a great post by Juliette Wade about how to redo a scene without rewriting. When a scene isn’t working, it’s tempting to blame the scene and get rid of it. […]
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We’ve learned that head-hopping should be avoided if we want to maintain a strong connection between the reader and the characters, and we’ve learned that just calling something omniscient doesn’t solve the head-hopping problem. This brings up the obvious question: How do we avoid head-hopping? The answer might be different […]
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Last time, we talked about how head-hopping is something to avoid, and not just because there’s a rule against it. Any change in point-of-view (POV), whether using an “allowed” technique or not, risks weakening the connection between the reader and the story. Head-hopping authors sometimes say they’re writing in omniscient […]
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Depending on who you talk to, head-hopping is somewhere between a shoulder shrug and the-world-is-ending bad. Note that neither of those extremes thinks that head-hopping is good. I suppose it could be positive if used in some sci-fi story, along the lines of “body snatchers,” but we’re talking about it […]
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