Where Normal Need Not Apply
No matter how we publish, we have to come up with a great book description. Queries and blurbs have always been my weak point, so I asked my editors at each stage of the editing process for help. Julie Glover’s here today with tips for how to go from good to great.
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It’s been almost a week since my release of Unintended Guardian, and I’ve been getting lots of questions about how I made my decisions for what to do with my books. Let’s start at the beginning: How did I decide on my publishing path? For that, we have to go back to when I first started on my writing career path.
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A bit over a year ago, Beyoncé surprised the music world by secretly dropping a new album with zero promotion in advance. Can we apply this strategy to the publishing world? If we run a lot of promo pre-release, by the time we have buy links, will people think our book is old news?
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Many large, life-changing events can scare us—even terrify us. We might think, “It’s a good thing I didn’t know how hard it would be, or I might not have done it.” Sometimes writing or publishing can be terrifying, yet we have to move past our fears.
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I’ve added a page to my site to list my favorite writing craft and reference books. I’ve added several books that I thought of off the top of my head, but I know I’m forgetting a bunch too. So let me share the books I thought of, and let’s see what others have to add to the suggestions.
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Most stories open with the protagonist on page one, but every once in a while, our story seems to work best if we start with another character. If we understand why the protagonist usually works best as the point-of-view character for the first page, we might be able to remake those exceptions into stronger openings.
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Every month or so, there’s an author or blogger or journalist making news by putting romance stories down. “They give women unrealistic expectations!” they say. Right. Are they unrealistic because romances end with love and a Happily Ever After? Or do the naysayers think true love isn’t possible or that it isn’t powerful enough to conquer and overcome obstacles? That’s just sad.
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We often talk about how reading is subjective. But we don’t usually talk about how writing is subjective as well. The genres I enjoy writing and the stories I like to tell aren’t the same that others enjoy or like to write. That’s a good thing. If everyone wrote the same genre, readers looking for something new and different would be left out.
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Is a Catalyst the same thing as an Inciting Incident? (Answer: Yes.) How do I know? It’s not because there’s a secret cheat sheet with translations for every beat sheet term. *smile* If we know the functions beats fulfill in a story, we’ll always know where a story event belongs on a beat sheet.
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One way we develop our characters is by figuring out their false belief: What lie do they tell themselves? Now the fun thing is to think about how that idea applies in the real world. Just like our characters, we tend to hold false beliefs and lie to ourselves as well.
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