Where Normal Need Not Apply
Tip-heavy posts about writing skills and concepts that improve our stories. Sample topics: how to create a strong character, storytelling skills, information dumps, using point of view, subtext, using themes, building scenes, etc.
One technique for drafting or editing our stories into shape is using beat sheets, but it can be tricky to understand how to use them. Here’s a round-up beat sheet and story structure resources that might help us understand beat sheets.
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Most stories open with the protagonist on page one, but every once in a while, our story seems to work best if we start with another character. If we understand why the protagonist usually works best as the point-of-view character for the first page, we might be able to remake those exceptions into stronger openings.
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Is a Catalyst the same thing as an Inciting Incident? (Answer: Yes.) How do I know? It’s not because there’s a secret cheat sheet with translations for every beat sheet term. *smile* If we know the functions beats fulfill in a story, we’ll always know where a story event belongs on a beat sheet.
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Probably no one can claim to be an expert at making sure the cool character in our head makes it onto the page. We can only guess at how readers will interpret what we tell them. Advice can help us share our brain with our readers as much as possible, but the process will never—ever—be completely clean.
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There’s no shortage of blog posts about what makes characters likable to readers. Yet readers still read and enjoy stories with unlikable characters. Why? Let’s take a look at what options we have for creating characters that compel readers to keep turning pages.
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One of my commenters asked a great question last week that gets to the heart of the balancing game we have to play when writing romance. The characters have to be perfect enough for each other to make a believable couple, but there also has to be enough conflict between them to sustain a story.
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When we first start learning about writing, we’re often faced with a whole new language. Words like “beats,” “tension,” and “conflict” take on new meaning within the writing world. Such it is with the words “needs” and “goals.” Once we enter the writing world, those words become infused with extra meanings related to plots and character arcs.
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Many stories that stick with us over time resonate with some aspect of our life, belief, or worldview. Often, the theme of the story creates that resonance. If we understand what creates a story’s theme, we might be able to improve the resonance of our stories.
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The Black Moment is usually one of the most emotional sections of the story, so it can be difficult to pull together. If we read stories (or watch movies), we’ve seen this beat play out endless times, so we probably understand the plot point more than we may think. But let’s take a closer look and see if we can learn something new.
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As soon as immersion is broken for a reader, their suspension of disbelief is at risk, so we don’t want unbelievable aspects of our story to kick readers out of the story midway. When it comes to believability, issues could crop up within the plot, characters, or worldbuilding, and we have to find the right balance within each of those areas.
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