Writing a Series? 7 Do’s and Don’ts — Guest: Kassandra Lamb
If you’ve ever thought about writing a series but weren’t sure how to “evolve” the series from book to book, Kassandra Lamb is here to share her insights.
Pin ItWhere Normal Need Not Apply
If you’ve ever thought about writing a series but weren’t sure how to “evolve” the series from book to book, Kassandra Lamb is here to share her insights.
Pin ItSome stories benefit from multiple points of view, but only if we follow a few do’s and don’ts. Here’s how to write multiple POVs right.
Pin ItDepending on the type of villain in our story, the psychology we use to create our character changes. Kassandra Lamb shares her 8 “do’s and don’ts” to help us create our villains.
Pin ItThe antagonist in our story might be a love interest or truly evil or anything in between. When our story requires a villain, we might struggle to avoid clichés. Kassandra Lamb shares her insights into psychopaths, sociopaths, and other bad guys.
Pin ItMany of us struggle with the fear of being a fraud. But if we recognize impostor syndrome, we might be able to avoid the self-sabotaging thoughts and behaviors that can hurt our writing.
Pin ItWe’ve probably all heard the advice to create book series for better sales. We don’t hear nearly as much about the other end of equation: ending a series. Kassandra Lamb is here today to share tips on when and how we should end a series.
Pin ItWhat makes a story *not* frivolous? If it’s gritty and dark? Has emotional depth? Or does it need to be “serious literature”? Can a story be light and yet weighty at the same time? Today, Kassandra Lamb shares her insights on how we can add meaning to our stories.
Pin ItWe all have emotions, so we all think we know how to write them. However, sometimes the best writing comes from exposing an emotional truth that we’re hiding from ourselves. So the better we understand emotions, the better our stories will resonate with our readers.
Pin ItIf we don’t want to write characters who are too perfect, we have to layer in a few flaws. That means we might be writing characters who are “broken” in some way, and we don’t want to get the details wrong. Luckily, I know just who can help us get this right.
Pin ItWe usually want to keep the reader immersed in the story and keep readers’ interest by engaging their emotions. But when we understand the psychology driving emotions, we might be able to make those emotions more realistic or recognize when there’s a disconnect on a character’s emotional journey.
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