To make NaNo work for us, we need to figure out our goals for the experience—and there’s no wrong answer. However, if our goal is to create a coherent story, we should try to understand story structure.
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As a writer we can suffer from the impostor syndrome, feeling like a newbie many times over. But we all have expertise in something, and now’s your chance to help others and share what you know.
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There’s no right or wrong answer for how to depict intimacy in our writing—only what’s right for our story. The “right” amount can depend on our genre, our characters, their situation, their emotional journey, and our target audience.
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Whatever genre we write, we often have to write scenes that make us uncomfortable. For many, sexy scenes are high on that discomfort scale.
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Are we ready to hire an editor? To check, I’m sharing Part Two of Jeff Lyons guest post with the questions we should ask ourselves before hiring story help.
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It’s tricky to tie up all the threads in our story’s Climax and even harder to give guidelines for how to write it, but let’s try to identify some story aspects we might want to include.
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It’s hard to find an editor we can trust. To help, I’m sharing Part One of Jeff Lyons guest post with the questions we should ask before hiring story help, such as editors and consultants.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about how to take the major beats of a beat sheet and apply them to our story’s genre.
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In Part Two, Jeff Lyons shares more of the most common writing myths and the lie and danger for us if we believe them. Learn the truth instead.
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In situations where we want to improve—such as writing—we focus our time on analyzing our weaknesses, and that’s necessary to identify how we can reach the next level of expertise. But at the same time, if we fail to recognize our strengths, we might suffer in several ways.
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